Drew: To say that Captain America: Steve Rogers 1 rocked the comics world would be a profound understatement. It caused an uproar unlike any I’ve seen in my time writing on comics, and it continues to be a point of controversy nine months later. It set the tone for a Captain America story unlike any we’ve seen before, built upon one huge, jaw-dropping twist. The downside of kicking off a series with a twist that large is that it’s hard to match. Writer Nick Spencer has struggled admirably in this regard — and may have actually topped himself in Civil War II: The Oath — but a twist that required the rewriting of reality as we know it is a nigh-unreachable bar. Case in point: this issue’s return of Elisa Sinclair. Continue reading
You know you shouldn’t judge a book by its cover, but that doesn’t mean you can’t judge the cover on its own merit. Some covers are so excellent that they pack all the drama, excitement and emotion of the whole issue into one succinct image. Sometimes they end up being their own surreal experience. And other times, we’re just exciting to see our favorite heroes kicking ass one more time. These are our top 10 covers of 2016. Continue reading
Today, Taylor and Spencer are discussing Star Wars Annual 2, originally released November 30th, 2016. As always, this article contains SPOILERS.
Taylor: I’m incredibly excited for Rogue One: A Star Wars Story. This isn’t just because I’m a huge Star Wars fan and it isn’t just because George Lucas apparently likes it better than The Force Awakens. True, these things do rouse my blood, but what really excites me about the movie can be found right in its title. That Rogue One is being labeled “a Star Wars story” holds so much promise. I love the depth of the Star Wars universe and it’s amazing what authors can do with this backdrop when they aren’t burdened by telling the next great chapter in the Star Wars saga. While the second annual issue of the Star Wars comic does involve some classic Star Wars characters, what makes it wonderful is that it gives us a glimpse into the day in the life of your average Star Wars universe Jane. Continue reading
Today, Patrick and Spencer are discussing Spider-Woman 13, originally released November 2nd, 2016. As always, this article containers SPOILERS!
Patrick: “It takes a village” is perhaps a imprecise idiom about what it takes to raise a child. After all, it’s not just that it takes volume of people to effectively care for a tiny, helpless human being and mold it into a functioning member of society. It takes the emotional investment of that village, not just in the child, but in each other, to raise a child. That’s how friends, strangers, and even enemies, become family. As Spider-Woman transitions into the next chapter of Jessica Drew’s life as a new mom, writer Dennis Hopeless and artist Veronica Fish examine that interdependence, and the huge emotional cost that comes with it.
Also, f’real: spoilers ahead.
Spencer: Civil War II has killed the momentum of a lot of books, but its Steve Rogers Captain America tie-ins are an especially interesting case of this because the title never really had a chance to establish its momentum in the first place — writer Nick Spencer was still in expository mode, exploring how Steve’s new Hydra backstory changed him, when the title was dragged into a major event. Thankfully, Spencer and artist Javier Pina have been able to continue that exploration even throughout these event issues, but the moments tying directly into Civil War II feel unmoored in comparison. Continue reading
Today, Ryan M. and Spencer are discussing Mockingbird 8, originally released October 19th, 2016. As always, this article contains SPOILERS.
Ryan M.: When the cover of an issue includes the eponymous heroine wearing an “Ask me about my feminist agenda” t-shirt, you have no choice but to examine the work therein with a feminist lens. I will admit that going into the issue, I expected it to contend with Bobbi’s reactions to her rapist stalker and how she deals with being a trauma survivor, possibly with irreverent jokes about corgis and effortless flirting with Hunter. Instead Chelsea Cain and Kate Niemczyk deliver those corgi jokes and Hunter-flirting as they reveal the feeble heart of the patriarchy and use the Phantom Rider to skewer it.
Today, Drew and Spencer are discussing Spider-Woman 11, originally released September 28th, 2016. As always, this article contains SPOILERS.
The five stages — denial, anger, bargaining, depression, and acceptance — are a part of the framework that makes up our learning to live with the one we lost. They are tools to help us frame and identify what we may be feeling. But they are not stops on some linear timeline in grief.
Drew: As a psychological heuristic, Kübler-Ross’ five stages of grief is arguably as well-known as Freud’s id, ego, and super-ego structural model. However, that may make it one of the most misunderstood, as Kübler-Ross explains in the quote above. We often talk about those five stages as if they fall into a prescribed linear order, but it was never really meant to be understood in that way. Which is to say: someone experiencing grief may feel any or none of these feelings in any order or any combination. Grief is a remarkably complex phenomenon that everyone experiences differently — some might feel mostly depression or mostly denial, while others, like Jessica Drew in Spider-Woman 11, feel mostly anger. Continue reading
Today, Spencer and Patrick are discussing Spider-Women Omega 1, originally released June 1st, 2016.
Spencer: In the letters at the end of Spider-Women Omega, writers Dennis Hopeless, Jason Latour, and Robbie Thompson all touch upon one of the primary elements that has made this crossover so strong: its focus on character-driven storytelling, not spectacle for spectacle’s sake. Spider-Women‘s grand finale sticks with this winning formula, leaving every character in a far different state emotionally than they were at the story’s beginning. Continue reading
Today, Spencer and Drew are discussing Spider-Woman 7, originally released May 18th, 2016.
Michael: “What comes before anything? What have we always said is the most important thing?”
George Michael: “Breakfast?”
Spencer: Family is a common theme in most works of fiction, but that makes sense — everybody has a family, and for better or for worse, they tend to become inextricably intertwined with our personalities and our view of the world. “Family” has been a major theme of the “Spider-Women” crossover as well, and not just because Jessica Drew’s a new mother. Every single Spider-Woman here — as well as our one kinda-sorta “Spider-Man” — is defined and driven, in one way or another, by their relationship with their family. Continue reading
Today, Spencer and Drew are discussing Spider-Woman 5, originally released March 16th, 2016.
Spencer: I’ll admit that, much like Clint Barton, I never took Jessica Drew for the motherly type — she’s always been such a socially awkward, work-oriented character that it just felt like a poor fit to me. Still, Dennis Hopeless and Javier Rodriguez’s first volume of Spider-Woman was so strong that it seemed likely they could sell me on Jessica Drew as a mother, or at least get a good story out of it. Boy, was that an understatement. This first arc of the rebooted Spider-Woman has been astounding, but this week’s issue 5 is especially powerful. Not only do Hopeless and Rodriguez make a convincing argument for “Jessica Drew as a mother,” but they present such a compelling take on parenthood that their editor actually feels it necessary to include a disclaimer on the letters page! That’s some good stuff, there. Continue reading