This article containersSPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Drew: Why do we like superheroes? For some, the appeal might be whiz-bang action or modern mythologies, but I’ve personally always been drawn to the genre for its ability to comment on everyday life (albeit by blowing it up to epic proportions). It’s not a feature of every superhero story — far from it — but there’s a certain type of superhero story that manages to scale up relatable conflicts and struggles to matters of life and death. Mariko Tamaki’s work with Jen Waters (formerly on Hulk, now retitled and renumbered as She-Hulk) has always fit into this category with ease, using Jen’s Hulk-outs as a stand-in for PTSD-fueled anxiety attacks. It’s an approach that served the character and the story beautifully, creating a series decidedly unlike any other superhero story on the shelves. This issue is at its best when it focuses on those relatable elements, though the introduction of a bona fide supervillain might just blow the parallels out of the water. Continue reading →
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Most detective stories make sure you know just as much as the detectives. You discover clues along with them, and are with them as they figure out what it all means. Then, there is the Columbo-style of storytelling. That’s when the audience knows the “solution” to the mystery from the beginning. The pleasure of these stories is watching the detective start from zero and deduce motive, means, opportunity and identity of the criminal. In Hulk 8, Mariko Tamaki starts the reader with all of the information, but Jen’s investigation ends up feeling lifeless as a result.
This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Recovering from a traumatic incident is a process that never quite ends. One can’t expect to ever be the exact same person again that they once were before the incident; instead, they have to learn to move forward and live with their new status quo. That seems to be the point Jen Walters has reached in Mariko Tamaki and Georges Duarte’s Hulk 7 — having come to terms with the fact that her life has changed, Jen’s now looking to figure out what, exactly, these changes mean and how they’ll fit into her life going forward. Continue reading →
Today, Spencer and Ryan M. are discussing Hulk 5, originally released April 26th, 2017. As always, this article contains SPOILERS.
Spencer: A defining trait of She-Hulk has always been control — becoming She-Hulk gave Jennifer Walters confidence, and she could fully control that form to the point where she remained Hulked-Out 24/7. Much of the tragedy of Mariko Tamaki and Nico Leon’s Hulk has been watching Jen lose that control as a result of the trauma she underwent in Civil War II, but Hulk 5 shows that Jen’s situation is actually far more circular and complicated; she didn’t just lose control because of her trauma, but her trauma hit her so hard because she lost control in the first place. Continue reading →
We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Black Panther 12, Hulk 4, Invincible Iron Man 5, Ultimates 2 5 and Uncanny Inhumans 20. Also, we discussed Unworthy Thor 5 on Thursday, and will be discussing Iron Fist 1 on Monday and Captain America Steve Rogers 14 on Tuesday, so come back for those!As always, this article contains SPOILERS.
Today, Spencer and Ryan M. are discussing Hulk 1, originally released December 28th, 2016. As always, this article contains SPOILERS.
Spencer: Despite the name, She-Hulk has never settled for just being a distaff counterpart. Jen’s occupation, abilities, and especially the confidence and control they’ve granted her have always set her far apart from Bruce Banner, allowing Jen to carve her own niche within the Marvel Universe. Mariko Tamaki and Nico Leon’s Hulk 1 finds many of the aforementioned qualities that have always defined She-Hulk violently ripped away from her, yet even then, Jen manages to cling to her individuality. While Banner’s Hulk was a creature born of anger, Jen’s Hulk is born of fear, anxiety, and trauma. Continue reading →
Today, Taylor and Patrick are discussing Teenage Mutant Ninja Turtles: Casey & April 2, originally released July 22nd, 2015.
Taylor: Last summer’s Michael Bay-produced Teenage Mutant Ninja Turtles movie met with lukewarm reviews. There were a lot of reasons cited by critics for the movie not being great, but the one thing that was almost universally harped upon was the confusing nature of the action sequences. Bay aficionados, however, were not surprised by this: chaos is one of his trademarks. What this goes to show is that clarity is incredibly important when crafting a story. It makes sense – if the audience can’t understand what’s going on, how are they supposed to take anything from it? Casey and April 2 is an interesting study in clarity: how it succeeds, how it fails, and how it succeeds despite its failings.
Today, Taylor and Patrick are discussing Teenage Mutant Ninja Turtles: Casey & April 1, originally released June 17th, 2015.
Taylor: When you’re in a relationship with someone for a long time, it’s inevitable that you and your partner will eventually get into a tiff. Sometimes this might be precipitated by a single event and sometimes it’s the culmination of a lot of little things that have added up over time. In either case: you’re heading into an awkward situation. You’re upset with your significant other, but given the nature of your relationship you may end up spending time together anyway. Moments like this have a habit of happening in the car — where you have no choice but to stay together and fume. Teenage Mutant Ninja Turtles: Casey & April 1 throws us into just such a situation and we’re forced to consider just how good of a couple April and Casey really are. Continue reading →