Patrick: When you read a comic book, you’re opting in to a narrative. The same is true of watching a TV show or movie (or reading some kind of non-comic book, should just a thing even exist), but following an on-going series requires a kind of continuous buy-in that just isn’t there for most other mediums. There is a cost associated with picking up your serialized entertainment this way: and not just financial — getting the most out of any one issue of Zero requires a look back at all the issues that came before it. Great example: In January, Mike and I missed that the mindblowing flashforward in issue 5 was actually foreshadowed on the first page of the first issue. So we, the audience, have to make the decision to actively participate in the story from month to month. Like good little soldiers, that’s a choice we continue to make, even when our orders don’t totally match up with what we’re experiencing.
Today, Taylor and Scott are discussing Zero 3, originally released November 20th, 2013.
Taylor: Tell you what, reading a Cormac McCarthy novel is a chore. This is by no means a criticism, merely an observation. I think anyone who has read any book by McCarthy would agree with me – the guy writes some pretty bleak stuff. Despite that, his writing is some of the most important to grace the written page in the past fifty years. He’s a master at his craft and his style and voice are so unique that one could argue they have become iconic. Still, reading the likes of Blood Meridian or The Road is far from a pleasant way to pass the time. These books are beautiful in their own way, but they are equally violent and incredibly depressing. Given this, it seems fitting that the afterward of Zero 3 quotes a passage from Blood Meridian. Like McCarthy’s work, Zero is bloody and disturbing, but also like McCarthy’s work it is thought provoking and occasionally beautiful.