This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
In this site’s Best Writers of 2017 list, we praised Simon Spurrier as one of the best — if not the best —world-builders in comics today. So it’s not that Labyrinth Chronicles 2 is bad or boring or otherwise deficient, it’s just that it feels like a waste of Spurrier’s considerable talents. At this point, the world of Labyrinth Chronicles is defined by the movie on which it’s based, and even though there is some opportunity for invention (The Owl King and Sir Skubbin are original creations), Spurrier seems boxed in by the creative choices of a film made over 30 years ago. Continue reading →
Today, Taylor and Spencer are discussing Silk 6, originally released March 16th, 2015.
Taylor: Many of the stories I’ve encountered in my time reading comics exist in a world that is split into two halves. There are those who are good and those who are bad. S.H.I.E.L.D. vs. Hydra. The Light Side vs. the Dark Side. While these worlds are the setting for compelling stories, they aren’t necessarily a reflection of our own world. It’s rare today that something or someone can be considered entirely good or evil. Silk 6 recognizes this, and in doing so, shows us that sometimes choosing between right and wrong isn’t as easy as most comics would have us believe.
Today, Spencer and Drew are discussing The Superior Spider-Man 27, originally released February 12th, 2014.
Spencer: One of the most enjoyable aspects of a writer having a long run on a title is watching elements from earlier issues resurface in surprising ways later on down the line. I think perhaps my favorite example of this is in Jon Rogers’ pre-reboot Blue Beetle run, where Jaime Reyes managed to bring back weapons, plans, and allies from nearly every one of his earlier adventures to use in his epic endgame against the Reach. It brought a nice sense of closure and finality to the proceedings, not to mention made for a thrilling game of “catch-the-reference.” I got a similar feeling from this week’s Superior Spider-Man, where plot points writer Dan Slott has been seeding for the past 27 issues begin coming back en masse, both to Otto’s relief and to his detriment. Continue reading →
Today, Spencer and Shelby are discussing The Superior Spider-Man 26, originally released January 29th, 2014.
Spencer: The Superior Spider-Man 26 is unique in that it features three different stories—each illustrated by a different artist, no less—that do not intersect or connect at all throughout the issue. All three plots are building up to the sure-to-be-epic conclusion of Superior, but each also ruminates about identity, whether it be something as superhero-esque as secret identities or something more complex, like how memories help form a person’s core identity. You’ll find it all in The Superior Spider-Man 26, folks! Continue reading →
Today, Patrick and Spencer are discussing The Superior Spider-Man 21, originally released November 13th, 2013.
Patrick: Any time I join a new social group, I like to think that I’m starting over in terms of my identity. Like, I get to use all the skills and stuff I picked up over my lifetime, but I can newly define myself with a whole new set of activities and goals and values. All the previous versions of me inform this, of course, but it’s too simplistic to say that their sum is my new persona. Current Patrick isn’t Orchestra Dork + Magic: The Gathering + Ska Bands + Drama Club + RA + all the other things I’ve been. Sometimes that means letting go of things that used to seem the most important (I haven’t played a game of Magic in over a decade, and yes it feels like I’m in AA when I say that). I’m not saying I know exactly what Otto is going through, but I know, exactly, what Otto is going through. Continue reading →
Today, Mikyzptlk and Patrick are discussing The Superior Spider-Man 10, originally released May 22nd, 2013.
Mikyzptlk: Before Pinocchio was a “real boy” he was marionette imbued with life, but no knowledge of a conscience. So, as an obvious solution, a cricket by the name of Jiminy was tasked to be the boy’s conscience. Even with Jiminy on his side, however, Pinocchio still managed to get into heaps of trouble. Like, way more trouble than is probably appropriate for kids. Eventually though, with the help of Jiminy, Pinocchio learns what it means to listen to one’s conscience, and is rewarded with true flesh and blood life. It’s a classic tale, but what would have happened if Pinocchio kicked Jiminy Cricket to the curb instead? Would he ever have become a real boy, or would he have been fated to become a total jackass? Enter, possibly, the Superior Spider-Man. Continue reading →