Spencer: The Superior Spider-Man 26 is unique in that it features three different stories—each illustrated by a different artist, no less—that do not intersect or connect at all throughout the issue. All three plots are building up to the sure-to-be-epic conclusion of Superior, but each also ruminates about identity, whether it be something as superhero-esque as secret identities or something more complex, like how memories help form a person’s core identity. You’ll find it all in The Superior Spider-Man 26, folks! Continue reading
Spencer: SPOILER ALERT: Peter Parker’s coming back.
Of course, anybody who has been keeping up with comic news in even the slightest already knows this. With news of Peter’s upcoming return in mind, it’s hard to look at The Superior Spider-Man 25 without focusing on just how exactly his return will play out and what it will mean for Otto. Fortunately, writer Dan Slott (assisted on this issue by Christos Gage) is ramping up the intrigue as this book nears its end. I have no idea how this series will resolve itself, but I do know one of the things I’m going to miss most about it: the expansive world and cast of supporting characters Slott has built up around Otto. Continue reading
Spencer: A comic book needs more than just a good hero to work; it needs a supporting cast, it needs villains, it needs a world that feels alive and fleshed out. While super-hero comics exist in a shared universe, the best titles manage to carve a little niche out of that universe for themselves to thrive in, and there are few books on the shelf right now that do it better than The Superior Spider-Man. Otto takes a backseat in this month’s issue as Phil Urich—A.K.A. the Hobgoblin—moves into the spotlight, accompanied by a hoard of heroes and villains alike who want to see him taken down. It’s a blast.