Today, Patrick and Drew are discussing Moonshine 6, originally released March 29, 2017. As always, this article contains SPOILERS.
“All actions takes place, so to speak in a kind of twilight, which like a fog or moonlight, often tends to make things seem grotesque and larger than they really are.”
-Karl Von Clausewitz, On War
Patrick: Lou Pirlo is, ostensibly, the protagonist of Moonshine. But he’s a man badly in need of definition. Is he an ambitious mafia man, working his way up the rungs of the organized crime ladder? Or is he a drunken fuck-up with a pretty face? Or — and this may be the most tantalizing question of all — is he a murderous wolf-man? It’s a question that requires clarity to answer, and that has never been one of Pirlo’s strong suits. As the fog of war closes in on Hiram’s Hallow, so too does the narrative confusion obscure our hero. Continue reading →
Today, Patrick and Drew are discussing Moonshine 4, originally released January 11th, 2017. As always, this article contains SPOILERS.
“How happy is the blameless vestal’s lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray’r accepted, and each wish resign’d?”
Alexander Pope, “Eloisa to Abelard”
Patrick: Context is an important part of the modern conception of identity. When you meet someone, you ask what they do, where they’re from, who their family is. You’re not so much asking them to look within in themselves for definition, but outward to the relationships and roles shape them. But that is a frustratingly limited definition of identity, and one that leaves the identifier out of the equation entirely. Pope’s poem quoted above meditates on the serenity granted to the person that is courageous enough to both forget and be forgotten by the outside world. Only stripped of context can we ever hope to discover who our character truly is. That’s the situation that Lou Pirlo finds himself in — his stuttering past holding him back from realizing his true potential. What he sees as “holes” waiting to be filled are actually blissfully empty memories. Continue reading →
Today, Drew and Patrick are discussing Moonshine 1, originally released October 8th, 2016. As always, this article contains SPOILERS.
It’s the notes you don’t play that matter.
Drew: I don’t think this quote means what people think it means. It’s often extrapolated into the hackneyed quote put in jazz snobs’ mouths that “you have to listen to the notes they’re not playing,” as though jazz is somehow about carving melodies of negative space in solid blocks of sound. To me, this quote suggests almost the complete opposite, reminding players that jazz isn’t about playing all the notes, and that a well-placed rest can be remarkably effective. It’s the corollary to the art axiom that every line must have a purpose — a good artist must omit whatever doesn’t meet that criteria.
Obviously, “purpose” carries some value judgements that can vary from artwork to artwork, but for comics, we might understand the purpose to be “conveying the narrative.” Again, this will vary from instance to instance — sometimes, set-dressings will be important for establishing the setting or a specific mood, other times, they might needlessly clutter a moment of action or emotional turbulence — which is why good artists will vary that level of detail. I’d like to suggest Brian Azzarello and Eduardo Risso are masters of that kind of precision, giving their readers exactly what information they need when they need it — no more, no less — and that Moonshine 1 stands as a shining example of this mastery. Continue reading →