This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Patrick: On February 14th, a 19 year old former student opened fire on Marjory Stoneman Douglas High School. He killed 14 students and three teachers. The gunman had been expelled before completing school, and he bounced in and out of foster care. He suffered from depression, cut himself, frequented white supremacy websites, and actively posted about his desire to shoot up the school. When he was still a student, he wasn’t allowed to wear a backpack, because administrators feared he might bring something dangerous on the campus. On the day of the shooting, he was armed with an AR-15, which he had purchased legally. This shooting is a critical system failure. And that failure is necessarily the failure of the generation that came before both the shooter and his victims — the children punished for their parents’ crime of inaction. How does that happen? How does a generation obsessed with protecting their young end up harming them? Brian Azzarello and Eduardo Risso’s Moonshine 7 explores the devastating relationship between generations, staging acts of innocence and malice simultaneously. Continue reading →
Today, Patrick and Drew are discussing Moonshine 6, originally released March 29, 2017. As always, this article contains SPOILERS.
“All actions takes place, so to speak in a kind of twilight, which like a fog or moonlight, often tends to make things seem grotesque and larger than they really are.”
-Karl Von Clausewitz, On War
Patrick: Lou Pirlo is, ostensibly, the protagonist of Moonshine. But he’s a man badly in need of definition. Is he an ambitious mafia man, working his way up the rungs of the organized crime ladder? Or is he a drunken fuck-up with a pretty face? Or — and this may be the most tantalizing question of all — is he a murderous wolf-man? It’s a question that requires clarity to answer, and that has never been one of Pirlo’s strong suits. As the fog of war closes in on Hiram’s Hallow, so too does the narrative confusion obscure our hero. Continue reading →
Today, Drew and Patrick are discussing Moonshine 5, originally released February 8th, 2017. As always, this article contains SPOILERS.
I’ll only do nudity if it’s important to the plot.
Drew: I can’t remember when I first heard this sentiment, but I can guess with 100% certainty the gender of the person who said it. Actresses use this line to justify the choice to disrobe, but the fact that they need any kind of criteria speaks to how often they might be asked to do nude scenes that aren’t important to the plot. More importantly, I’ve never heard a male actor express anything similar to this, because male nudity is so rare — they don’t need a rule for deciding which nude roles to take because they’ll likely never be offered one in the first place. Curiously, because male nudity is so rare, it necessarily has more impact, making it feel more “important” than even the most “essential” female nudity — I can count the number of times I’ve seen male nudity in films on one hand, but I’m certain I’m remembering all of them. This may be a tellingly long-winded way of saying I want to talk about Lou Pirlo’s wang, but damnit, I think it’s important. Continue reading →
Today, Drew and Patrick are discussing Moonshine 3, originally released December 14th, 2016. As always, this article contains SPOILERS.
Drew: I remember my third grade teacher expressing regret at having sat too close to the stage at a magic show. “I could see how every trick was done,” she said, oblivious that her complaints were describing what I always wanted. To me, the “magic” of a magic wasn’t in suspending my disbelief, but knowing that they were doing something that isn’t magic right before my eyes, and I still couldn’t see it. Suffice it to say, my love of seeing the strings in art — of appreciating the thought and care that goes into those strings — runs deep. The best artists, like the best magicians, hide those strings in plain sight, such that people like my third grade teacher regret noticing them, but finding and celebrating effective uses of even the simplest techniques offers an entirely different set of pleasures. As Moonshine continues to develop its relationships in issue 3, I’d like to turn to the storytelling mechanics that make this series so remarkable. Continue reading →