Today, Drew and Patrick are discussing Moonshine 5, originally released February 8th, 2017. As always, this article contains SPOILERS.
I’ll only do nudity if it’s important to the plot.
Drew: I can’t remember when I first heard this sentiment, but I can guess with 100% certainty the gender of the person who said it. Actresses use this line to justify the choice to disrobe, but the fact that they need any kind of criteria speaks to how often they might be asked to do nude scenes that aren’t important to the plot. More importantly, I’ve never heard a male actor express anything similar to this, because male nudity is so rare — they don’t need a rule for deciding which nude roles to take because they’ll likely never be offered one in the first place. Curiously, because male nudity is so rare, it necessarily has more impact, making it feel more “important” than even the most “essential” female nudity — I can count the number of times I’ve seen male nudity in films on one hand, but I’m certain I’m remembering all of them. This may be a tellingly long-winded way of saying I want to talk about Lou Pirlo’s wang, but damnit, I think it’s important. Continue reading →
Today, Drew and Patrick are discussing Moonshine 3, originally released December 14th, 2016. As always, this article contains SPOILERS.
Drew: I remember my third grade teacher expressing regret at having sat too close to the stage at a magic show. “I could see how every trick was done,” she said, oblivious that her complaints were describing what I always wanted. To me, the “magic” of a magic wasn’t in suspending my disbelief, but knowing that they were doing something that isn’t magic right before my eyes, and I still couldn’t see it. Suffice it to say, my love of seeing the strings in art — of appreciating the thought and care that goes into those strings — runs deep. The best artists, like the best magicians, hide those strings in plain sight, such that people like my third grade teacher regret noticing them, but finding and celebrating effective uses of even the simplest techniques offers an entirely different set of pleasures. As Moonshine continues to develop its relationships in issue 3, I’d like to turn to the storytelling mechanics that make this series so remarkable. Continue reading →