Today, Drew and Patrick are discussing Moonshine 5, originally released February 8th, 2017. As always, this article contains SPOILERS.
I’ll only do nudity if it’s important to the plot.
Drew: I can’t remember when I first heard this sentiment, but I can guess with 100% certainty the gender of the person who said it. Actresses use this line to justify the choice to disrobe, but the fact that they need any kind of criteria speaks to how often they might be asked to do nude scenes that aren’t important to the plot. More importantly, I’ve never heard a male actor express anything similar to this, because male nudity is so rare — they don’t need a rule for deciding which nude roles to take because they’ll likely never be offered one in the first place. Curiously, because male nudity is so rare, it necessarily has more impact, making it feel more “important” than even the most “essential” female nudity — I can count the number of times I’ve seen male nudity in films on one hand, but I’m certain I’m remembering all of them. This may be a tellingly long-winded way of saying I want to talk about Lou Pirlo’s wang, but damnit, I think it’s important. Continue reading →
Today, Patrick and Drew are discussing Moonshine 4, originally released January 11th, 2017. As always, this article contains SPOILERS.
“How happy is the blameless vestal’s lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray’r accepted, and each wish resign’d?”
Alexander Pope, “Eloisa to Abelard”
Patrick: Context is an important part of the modern conception of identity. When you meet someone, you ask what they do, where they’re from, who their family is. You’re not so much asking them to look within in themselves for definition, but outward to the relationships and roles shape them. But that is a frustratingly limited definition of identity, and one that leaves the identifier out of the equation entirely. Pope’s poem quoted above meditates on the serenity granted to the person that is courageous enough to both forget and be forgotten by the outside world. Only stripped of context can we ever hope to discover who our character truly is. That’s the situation that Lou Pirlo finds himself in — his stuttering past holding him back from realizing his true potential. What he sees as “holes” waiting to be filled are actually blissfully empty memories. Continue reading →