Zero 11

Today, Taylor and Patrick are discussing Zero 11, originally released October 22nd, 2014.

Taylor: While it’s not glamorous, there’s something to be said for the home life. True, this statement probably doesn’t carry much weight from a homebody like myself, but — like a Hobbit — I just love the comforts of my own digs. While some people seem mentally disposed to this lifestyle, others have come to appreciate it because they haven’t always been able to enjoy it. Edward Zero is certainly the latter of these two. After being a spy his entire life, he seems to long for nothing but the quiet life. A house, a partner, and maybe a few chickens sprinkled on the side are all he needs. However, in the case of Zero he didn’t choose the spy life, it chose him. And when that chooses you, it can be difficult — if not impossible — to escape.

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Zero 10

zero 10
Today, Drew and Spencer are discussing Zero 10, originally released August 13th, 2014.

The unexamined life is not worth living.

Socrates

Ignorance is bliss

Thomas Gray, Ode on a Distant Prospect of Eton College

Drew: If I ever needed an example of cognitive dissonance, I would simply point to the above statements, acknowledging that the majority of people know that both are true. It makes no sense, but we at once want to know things that will disturb us while wanting to unknow things that enrich our lives. It’s perhaps most true when it comes to analyzing the arts. Some folks prefer to examine their art, while others believe they are happier without that closer look, as though art were some mysterious and secretly unsavory sausage whose origins could only yield misery. It should be obvious that I’m in the first group, which is why a thoughtful, intricate work like Ales Kot and Michael Gaydos’ Zero 10 is so utterly rewarding. Continue reading

The Flash 21

flash 21Today, Spencer and Shelby are discussing the Flash 21, originally released June 26th, 2013.

Spencer: A mystery story cannot work with only one suspect. Without false leads and red herrings, everything’s too easy; we know whodunit before the story’s even begun. In Flash 21, Kid Flash becomes one of those false leads; the problem is, Barry is the only one actually trying to solve a mystery here. Us readers already know that the Reverse-Flash is behind these murders, leaving the real bulk of this issue to be carried by the first meeting of Flash and Kid Flash. I’m not sure the two of them are up to the task.

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