All-New X-Men 8

all new x-men 8

Today, Ethan and Shelby are discussing All-New X-Men 8, originally released March 6th, 2013.

Ethan: ­Time-travel narratives always have the potential to bring up questions of self and identity. Though he wrote in less sci-fi context, Famous Dead White Guy David Hume talked about self not in terms of one, coherent, persistent soul but as a collision of different, constantly changing ideas and perceptions, like a train barreling forward with an ever changing set of passengers. While I may feel like I’m one, same person from one day to the next, I’m occasionally startled when my brain abruptly serves up a memory from the past. I remember the experience, the decisions, the stimuli as if it was me, but the choices and statements made by that past person often seem alien. That person was, in many real ways, NOT the me I am now. Reading All-New X-Men 8, I was happy to see that writer Brian Michael Bendis and artist David Marquez took some time to play around with these ideas.

Continue reading

All-New X-Men 7

all new x-men 7

Today, Shelby and Patrick are discussing All-New X-Men 7, originally released February 6th, 2013.

Shelby: Sometimes, when you’re having a rough go of it, all you need to do is talk it out. Find a friendly ear, let go of your issues, and hopefully get some unbiased, third-party advice. It doesn’t have to be someone you know, it just has to be someone who’s there for you when you need them: the kindness of a well-timed stranger who can help you stay the course. Since this is a comic book, however, that stranger is actually a conniving villain out to manipulate you so no one can foil the master plan.
Continue reading

All-New X-Men 5

all new x-men 5

Today, Patrick and guest writer Ethan Andyshack are discussing All-New X-Men 5, originally released January 2nd, 2013.

Patrick: I had to do a group English project in the first quarter of my Sophomore year in high school. We were on the Junior High / High School system, so this was actually my first year at the school, and sort of my first experience really having to work with new people. There were four of us, and because it was high school, we got together the night before the project was due to essentially do the whole project. I won’t bore you with the details of the project (gigantic literary baseball cards), but there came a point in the night where all three of my other group members thought we were done… but then I noticed that we had woefully neglected the assignment requirements and we actually had another night’s work ahead of us. This was around midnight, so we tabled the project for a second and had to decide which was worse: the unpleasant task of staying up all night or failure? We chose the former and still ended up just getting Bs.

This all relates to All-New X-Men, I promise.
Continue reading

All-New X-Men 4

Alternating Currents: All-New X-Men 4, Patrick and Drew

Today, Patrick and Drew are discussing All-New X-Men 4, originally released December 19th, 2012.

Patrick: Time travel narratives end up appealing to our vague understandings of chaos theory and the butterfly effect (thanks Jurassic Park, for introducing those into our media-vocabulary). But usually that assumes a time-lapse: events unfold differently throughout time and our future is changed to match the changing past. All-New X-Men shows these same ripples, but throughout the present, as the emotional impact of Beast’s time-travel project effects everyone in turn. Instead of seeing a cause, and then skipping 25 years later to see the effect, we’re subjected to the slow, real pace of cause and effect. It makes for a much smarter, much more sincere time travel story. Oh and there are X-Men in it too. Continue reading

All-New X-Men 1-3

Alternating Currents: All-New X-Men 1-3, Drew and ShelbyToday, Drew and Shelby are discussing All-New X-Men 1-3, originally released November 7th, 21st, and December 5th 2012, respectively.

Drew: Regret is a funny thing. We’ve all felt it, even if for something as simple as wishing we had ordered that other thing that looked good on the menu. It comes in many flavors, from shame to wistfulness, but all require us to be removed in time from the event we regret. As an observation, that’s almost too obvious to mention — except when time stops working like we expect it to. We’re used to looking back, but how does regret work if you can look forward, as well? At the end of its first three issues, All-New X-Men seems poised to address this very notion, as we rapidly take the perspectives of people looking to their pasts, as their pasts gaze into their future. It’s a crazy idea, but just like the plan that brought it about, it might be just crazy enough to work. Continue reading