Today, Patrick and Taylor are discussing U.S.Avengers 1, originally released January 4, 2017. As always, this article contains SPOILERS.
Patrick: There are more flavors of Avengers out there than there are flavors of ice cream at Baskin Robbins.
That’s not an entirely true observation. Baskin Robbins always carries 31 flavors, and even at it’s most, Marvel only publishes 5 or 6 Avengers series at one time. But I’m too in-love with the ice cream metaphor to let it go, so stay with me. Like Baskin Robbins, U.S.Avengers is an exercise in indulgences, cramming in as much fun, color, and sugar as humanly possible. This cartoonish excess is also unapologetically American, leaning in to everything that even remotely expresses that cultural identity. Continue reading →
Today, Shelby and Greg are discussing Iron Patriot 1, originally released March 26th, 2014.
Shelby: Work-life balance is a hard thing to maintain. You need to work to, you know, live and stuff, but if you can’t have a non-work life then what’s the point? Even if you’re one of the lucky few who happens to love your job, you need a life outside of it to stay sane. I actually have two jobs, and even though I love my weekend gig working at my local comic shop, I still strive to remember to take time for myself. Hard as it is for me to maintain a healthy work-life balance, I have to imagine it’s nearly impossible for someone like James “Rhodey” Rhodes, a.k.a. War Machine, a.k.a. Iron Patriot. When your job consists of being a costumed superhero working for the United States government, is there ever really a point when you’re not working?
Today, Drew and guest writer Suzanne are discussing Captain Marvel 1, originally released March 12th, 2013.
All art is autobiographical; the pearl is the oyster’s autobiography.
Drew: The notion that art reveals something about the artist is a popular one, and I think is at least part of the reason artists are such alluring figures in our society — who wouldn’t want to be closer to the mind that whose autobiography is the sistine chapel or the brandenburg concerti? What a work of art says about its creator is a fascinating line of inquiry, but I’ve personally always been more interested in what a work of art says about its audience. It’s this other autobiography that is often ignored when discussing (and dare I say creating) a work of art, but I personally think it’s much more important its success. Could I relate to this work? Could I empathize with its characters? Could I understand their sorrows and joys? As a woman holding her own in a male-dominated field, it’s easy to see Kelly Sue DeConnick’s autobiography in Captain Marvel 1, but as ever, this series is really about the fans. Continue reading →