The Ultimates 2 4

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Today, Drew and Spencer are discussing The Ultimates 2 4, originally released February 15th, 2017. As always, this article contains SPOILERS.

Persuasion is achieved by the speaker’s personal character when the speech is so spoken as to make us think him credible. […]

Secondly, persuasion may come through the hearers, when the speech stirs their emotions. […]

Thirdly, persuasion is effected through the speech itself when we have proved a truth or an apparent truth by means of the persuasive arguments suitable to the case in question.

Aristotle, “Rhetoric”

Drew: I’ve never studied philosophy, or even public speaking, but even I’ve heard of Ethos, Pathos, and Logos, the three modes of persuasion Aristotle describes in the excerpts above. Obviously, “heard of” is a pretty far cry from understanding, but to my lay mind, Logos — the mode that relies on logic — is often held up as the purest form of persuasion, as it hinges on facts rather than our emotions or faith in whoever is making the argument. But, of course, it’s difficult to truly ignore the impact of Ethos and Pathos — we’re emotional, social beings — so it’s possible for something to feel like Logos when, in fact, it isn’t (a phenomenon we call “truthiness”). Moreover, dubious Logos may shore up its logicalness by being distractingly lacking in Ethos and Pathos (a phenomenon we might call “fuck your feelings”). This is all very messy, and is threatening to turn into an essay on political discourse, but I brought it up to address the appeals characters make to one another in Ultimates 2 4 — all modes are on display, including a “logical” argument built on such shaky ground that its arguer feels compelled to call itself “Logos.” Continue reading

Civil War II: The Oath 1

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Today, Spencer and Drew are discussing Civil War II: The Oath 1, originally released January 25th, 2017. As always, this article contains SPOILERS.

Spencer: Why is Steve Rogers being transformed into a Nazi such a terrifying idea? It’s because we all trust Steve Rogers, both in universe and out. Not only can he use that to gain influence that should never, under any circumstances, be given a Nazi, but that trust means that we’re probably inclined to think the best of him — out of sheer habit, if nothing else — even though he’s never deserved it less. Well, no more. Civil War II: The Oath drives home that this altered Steve’s heart is as black as they come. If only the rest of the Marvel universe was privy to that fact as well. Continue reading

Civil War II 8

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Today, Spencer and Drew are discussing Civil War II 8, originally released December 28th, 2016. As always, this article contains SPOILERS.

Spencer: The point of most blockbuster summer event crossovers is to throw as many characters together as a publisher can and coast off the spectacle, using tie-ins to boost sales and often refocusing their line of books in the aftermath. When these events are done right they can be loads of fun, but it’s hard to deny that there’s something kinda mercenary about the whole process. Is it possible for an event comic to have a soul? I’d certainly say so, and I’d imagine Brian Michael Bendis would agree with me. The problem with Civil War II, then, is that Bendis’ attempts to split the book evenly between spectacle and deeper themes results in both elements playing out unsatisfactorily. Continue reading

The Ultimates 2 1

ultimates-2-1

Today, Drew and Spencer are discussing The Ultimates 2 1, originally released November 23rd, 2016. As always, this article contains SPOILERS.

Drew: It’s odd that we have a concept of ideas that are “ahead of their time” — that is, it’s odd that ideas are so often rejected only to be later praised that we have a phrase to describe the phenomenon. Optimistically, the fact that those ideas can be reappraised suggests that you can’t keep a good idea down, but the other side of that coin reveals how common it is to reject good ideas in the moment. Indeed, the very fact that those ideas can later be proven to have value illustrates that the initial problem wasn’t with the idea, but the people involved in implementing it. Maybe it comes down to personalities involved or the politics surrounding an idea, but good ideas can be rejected for reasons totally unrelated to the quality of those ideas. Those mistakes may be corrected by history, but often over the course of generations. To me, the best way to speed up that process, unlocking the value of good ideas sooner, is to constantly reevaluate our decisions, never defaulting to the assumption that the “best” idea always wins. Such is the case with the idea of the Ultimates — the politics and personalities involved may have prevented that idea from reaching its fruition the first time around, but that doesn’t mean it should be discarded completely. Continue reading

Spider-Woman 11

Alternating Currents: Spider-Woman 11, Drew and Spencer

Today, Drew and Spencer are discussing Spider-Woman 11, originally released September 28th, 2016. As always, this article contains SPOILERS.

The five stages — denial, anger, bargaining, depression, and acceptance — are a part of the framework that makes up our learning to live with the one we lost. They are tools to help us frame and identify what we may be feeling. But they are not stops on some linear timeline in grief.

Elisabeth Kübler-Ross

Drew: As a psychological heuristic, Kübler-Ross’ five stages of grief is arguably as well-known as Freud’s id, ego, and super-ego structural model. However, that may make it one of the most misunderstood, as Kübler-Ross explains in the quote above. We often talk about those five stages as if they fall into a prescribed linear order, but it was never really meant to be understood in that way. Which is to say: someone experiencing grief may feel any or none of these feelings in any order or any combination. Grief is a remarkably complex phenomenon that everyone experiences differently — some might feel mostly depression or mostly denial, while others, like Jessica Drew in Spider-Woman 11, feel mostly anger. Continue reading

All-New Wolverine 9

all new wolverine 9

Today,Taylor and Spencer are discussing All-New Wolverine 9, originally released June 1st, 2015.

Taylor: In middle school I was a wallflower. I would go to dances with the hopes of dancing with a girl only to find myself retreating to the sidelines once the first few bars of a slow song wafted their way across the gym. By doing so I guaranteed my safety, even though that also guaranteed my mission to dance with a girl would fail. There was, and continues to be, safety in fading into the background. There, you aren’t the focus of attention, you can be overlooked, and most importantly, you’re just part of a larger tapestry. But that doesn’t mean you’re any less important than those people on the dance floor; you’re just different. The same can be said for comics, where background, while often overlooked, is an integral part of the art, as All-New Wolverine 9 demonstrates.

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Spider-Woman 5

spiderwoman 5

Today, Spencer and Drew are discussing Spider-Woman 5, originally released March 16th, 2016.

Spencer: I’ll admit that, much like Clint Barton, I never took Jessica Drew for the motherly type — she’s always been such a socially awkward, work-oriented character that it just felt like a poor fit to me. Still, Dennis Hopeless and Javier Rodriguez’s first volume of Spider-Woman was so strong that it seemed likely they could sell me on Jessica Drew as a mother, or at least get a good story out of it. Boy, was that an understatement. This first arc of the rebooted Spider-Woman has been astounding, but this week’s issue 5 is especially powerful. Not only do Hopeless and Rodriguez make a convincing argument for “Jessica Drew as a mother,” but they present such a compelling take on parenthood that their editor actually feels it necessary to include a disclaimer on the letters page! That’s some good stuff, there. Continue reading

Captain Marvel 1

captain marvel 1
Today, Ryan D. and Mark are discussing Captain Marvel 1, originally released January 20th, 2016. 

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Ryan: For some time now, one of the largest recurring themes when it comes to Ms. or Captain Marvel is the legacy of the character. The character of the Captain has undergone numerous iterations through the years until the mantle came to rest permanently — or, as is often the case in comics, for now — upon the capable shoulders of the weathered and tested Carol Danvers. This issue heralds in the next chapter of the character, offering her  a new platform and new responsibility as the first line of defense for the Earth. While Captain Marvel has, of late, played important roles in large cross-over events and team-ups, this issue is wholly her own, though it also features a swell cast of supporting characters. While Carol is hoping that her new post will offer her a new purpose, can this creative team solidify her status as legend while respecting the tradition that comes with being Captain Marvel? Continue reading

A-Force 1

a-force 1

Today, Spencer and Taylor are discussing A-Force 1, originally released January 6th, 2016.

Spencer: As comic book fans, we’re all used to the idea of alternate realities. They pop up with surprising frequency, but whether we spend just a few scant pages exploring them or several months immersed within their worlds, we’re always aware that they aren’t the “main” continuity, simply fun “what-if’s.” That isn’t true of the characters living within these alternate realities, though — for them it’s their home, their entire world, everything they know and love. That holds especially true for Singularity, the main protagonist of G. Willow Wilson and Jorge Molina’s A-Force 1 — hailing from God Doom’s Battleworld, Singularity’s entire life spans just the five issues of the first volume of A-Force, so for her the return of Earth-616 isn’t the triumphant homecoming it is for readers, but a strange, scary new reality that she knows nothing about. Continue reading

Ms. Marvel 18

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Today, Taylor and Spencer are discussing Ms. Marvel 18, originally released September 9th, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, check back Tuesday for our Secret Wars Round-Up.

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Taylor: The old axiom says there are five stages of grief: denial, anger, bargaining, depression, and acceptance. While I have my doubts that every person experiences grief in the exact same way as this, I do believe that most people go through something akin to this before arriving at the final stage of acceptance. When something truly traumatic happens it takes awhile for our brains to shift to the new reality of things. However, I think given time we all come to accept whatever bad thing it is that’s happened to us. Ms. Marvel 18 delves into this last stage of coping with grief and shows us that for everyone who undergoes it, it looks a little different.

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