All-New X-Men 4

Alternating Currents: All-New X-Men 4, Patrick and Drew

Today, Patrick and Drew are discussing All-New X-Men 4, originally released December 19th, 2012.

Patrick: Time travel narratives end up appealing to our vague understandings of chaos theory and the butterfly effect (thanks Jurassic Park, for introducing those into our media-vocabulary). But usually that assumes a time-lapse: events unfold differently throughout time and our future is changed to match the changing past. All-New X-Men shows these same ripples, but throughout the present, as the emotional impact of Beast’s time-travel project effects everyone in turn. Instead of seeing a cause, and then skipping 25 years later to see the effect, we’re subjected to the slow, real pace of cause and effect. It makes for a much smarter, much more sincere time travel story. Oh and there are X-Men in it too. Continue reading

All-New X-Men 1-3

Alternating Currents: All-New X-Men 1-3, Drew and ShelbyToday, Drew and Shelby are discussing All-New X-Men 1-3, originally released November 7th, 21st, and December 5th 2012, respectively.

Drew: Regret is a funny thing. We’ve all felt it, even if for something as simple as wishing we had ordered that other thing that looked good on the menu. It comes in many flavors, from shame to wistfulness, but all require us to be removed in time from the event we regret. As an observation, that’s almost too obvious to mention — except when time stops working like we expect it to. We’re used to looking back, but how does regret work if you can look forward, as well? At the end of its first three issues, All-New X-Men seems poised to address this very notion, as we rapidly take the perspectives of people looking to their pasts, as their pasts gaze into their future. It’s a crazy idea, but just like the plan that brought it about, it might be just crazy enough to work. Continue reading

A + X 2

a+x2

Today, Shelby and (guest writer) James D’Amato are discussing A + X 2, originally released November 28th, 2012.

Shelby: I like fluff. Sure, it’s fun to read something that is very intelligently written and cleverly drawn, and analyze the holy hell out of it. Turns out, that’s kind of our bread and butter here at Retcon Punch. But for every Fight Club, there’s a Zoolander: a vacuous, fluffy bit of nothing that is just dumb fun. A+X is just that fluffy bit of nothing; it pairs up Avengers with X-Men, with no regards to continuity, logic, etc. The whole point of the title is to watch a couple of superheroes kick the crap out of some bad guys, and I don’t have any problems with that at all. The two stories in this issue are a great demonstration of the fact that just because I’m looking for some dumb fun doesn’t mean I want to have my intelligence insulted; there is, after all, such a thing as too dumb.

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