Fist Fights and Legal Fights in Daredevil 25

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I’m about to blow your mind: superhero comics are full of fist fights. Crazy, I know. But with every punch or kick traded, there’s typically opposing ideologies. In Daredevil 25, Charles Soule and Alec Morgan match the high stakes of Matt Murdock’s Supreme Court case with the trappings of superhero fisticuffs. Continue reading

The Power of Friendship (and smoke) in Daredevil 24

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

How long can you stay mad at your best friend? In the case of Matt Murdock and Foggy Nelson, it took about 20+ issues. In Daredevil 24 Charles Soule and Alec Morgan finally begin to mend their broken relationship as Matt continues his grand quest to “legalize superheroing.” That, and pick on poor Tombstone. Continue reading

Proceeding(s) Forward in Daredevil 23

by Ryan Desaulniers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

A good villain pulls a particular thread of a hero’s core fabric; a great villain can challenge a hero on multiple levels — as Wilson Fisk so often has for Matt Murdock over the years. The Kingpin’s inclusion in the current DD arc, “Supreme,” struck me as a solid idea when it was dangled as last issue’s final reveal, but this issue shows that this great villain brings with him a multi-pronged approach to opposing Murdock which helps to progress this story on many levels. Continue reading

She-Hulk 1

she-hulk 1Today, Patrick and Greg are discussing She-Hulk 1, originally released February 12th, 2014. 

slim-bannerThere’s figures on this. 70% of what people react to is the look; 20% is how you sound; and only 10% is what you say.

Eddie Izzard, Dressed to Kill

Patrick: Drew recently brought a Mutilversity article on comic book criticism to my attention. Interestingly, they posted another article that same day on the diminishing role of artists in comics — effectively arguing that we know series by their writers and not by their artists, and isn’t that fucked up? I think there’s room to argue that serialized storytelling in any format is going to be a writer’s medium (just look at how much more writer-driven TV is than the movies, which are much more director-driven). Regardless, the fact remains that there’s a problem in comics — and comic criticism — with focusing too heavily on the words that are written on the page. At one point in this issue, Jennifer Walters — a Hulk that spends very little of her time smashing — asserts that “90% of lawyering is conversation.” That’s an interesting inversion of the pearl of wisdom Eddie Izzard drops in the bit above, but that also might explain why we don’t have the most exciting piece of fiction in our hands. Continue reading