Today, Patrick and Mikyzptlk are discussing Birds of Prey 20-21, originally released May 15th and June 19th, 2013.
Patrick: Fun fact: when Family Matters debuted in 1989, Jaleel White had not been cast on the show. Instead of being the adventures of Steve Urkel and the neighbors he loved to annoy, the show was a simple spin-off of Perfect Strangers – the story of a middle class working family in Chicago. But Steve Urkel made his appearance in the twelfth episode and was so well-received that it changed the DNA of the series forever. For better or for worse Steve Urkel had taken over Family Matters, and suddenly he was the only thing mattered. As Birds of Prey struggles to find it’s own audience and its own direction, it receives an Urkel of its own: The Court of Owls. Continue reading →
Today, Shelby and Taylor are discussing Birds of Prey 18-19, originally released March 20th and April 17th, 2013.
Shelby: I have the most trouble writing beginnings and endings. Beginnings are hard because you have to draw the reader in, entice them enough to keep reading. Endings are hard because you have to conclude your message with enough finality that there’s a sense of closure without being too abrupt. My biggest complaint about Duane Swierczynski’s run on Birds of Prey was his endings; story arcs just sort of … stopped. There is little I find more frustrating than a well-written story that doesn’t deliver on the ending, that simply ends. Birds finds itself with a new beginning, though, as Christy Marx wraps up Sword of Sorcery and takes over writing duties here; her strong, female-centric take on Nilaa won me over from day one, and would seem to make her a perfect fit for this superheroine team title. Continue reading →
Today, Patrick and Mikyzptlk are discussing Birds of Prey 14, originally released November 21st, 2012.
Patrick: Why do we read comic books? Yes, I’d like to begin this write-up with a question so abstract. I ask because sometimes the answer isn’t readily apparent. Some of the comics we read are revolutionary — expressing incredible themes and concepts in exciting ways. But I’m not a total snob: I’m just as happy with simpler pleasures. Adventures are fun, characters are iconic, art is compelling. It’s a magic spell that’s been successfully cast on me time and time again. Birds of Prey may have dropped a few steps from those early issues we loved, but the spell shouldn’t have worn off entirely. Right?
Today, Shelby and Patrick are discussing Birds of Prey 13, originally released October 17th, 2012.
Shelby: A common trope for team titles is the “member with a problem.” You’ve got one member of the team with some sort of personal issue which spills into their superhero-ing. The team wants to help, the individual says they can do it alone and end up in trouble, the team saves the day. It’s tired, but it works; as a plot device, it injects character moments into the story while bringing the team closer together and providing a quest for us to read. Birds of Prey 13 delivers perfectly on this trope, so why do I feel like I’m missing something?
Today, Shelby and (special guest writer) Lindsey Peterson are discussing Birds of Prey 0, originally released September 19, 2012. Birds of Prey 0 is part of the line-wide Zero Month.
Shelby: A difficult aspect of writing a comic book has got to be maintaining the balance between new and old readers: specifically, keeping both sides happy. You want to keep the long-timers happy; without their readership, you wouldn’t have been successful in the first place. But, you need to keep your books at least a little bit attainable to attract new readers; if your readership doesn’t grow, you won’t continue to be successful. With half of zero month behind us, we’ve seen examples of origins that bore us with nothing new and origins that confound us with no background knowledge given. Then we have my favorites, those titles which have struck that delicate balance between old-hat origin and current story arc connections. Birds of Prey is definitely in that last camp. Continue reading →