Today, Scott and Drew are discussing Animal Man 29, originally released March 19th, 2014.
And the best part of all was that one day… when they were all real old and had lived happily for a long, long time, they would die, too…
Scott: This statement, made by a four year old finally processing the meaning of her brother’s death, underlines the tragic nature of the final issue of Jeff Lemire’s Animal Man. It’s both the realization her father, Buddy Baker, needed her to make, and the promise he knows he can’t keep. Not every family gets to live happily ever after, especially not when the patriarch has as many responsibilities as Animal Man. This issue shows Buddy doing whatever he can to make sure everyone around him gets the happiest ending possible, even if it’s not the fairly tale ending they desire. In the face of uncertainty, maybe that’s the best you can do.
Today, Shelby and Patrick are discussing Animal Man 28, originally released February 19, 2014.
I’m sorry I was late, baby. I had to go to space.
Buddy Baker, Animal Man 28
Shelby: I feel like this quote from the latest issue of Animal Man perfectly sums up my experience with Buddy Baker in the hands of Jeff Lemire. Buddy’s defining characteristic has, for me, always been his connection to his family. Nowhere else have we seen someone forced to balance a spouse and family with being a superhero, occasionally having to go to space, etc. Mostly, Buddy’s balancing act has brought a lot of suffering to the Baker clan, so it’s nice to see our favorite family man finally get a real win.
Today, Drew and Scott are discussing Animal Man 27, originally released January 22nd, 2014.
But as a Go game progresses, the possibilities become smaller and smaller. The board does take on order. Soon, all moves are predictable.
Maximillian Cohen, Pi
Drew: Do you ever find yourself wondering exactly how apt an analogy is? Or that it might be more apt than we realize. One of my favorite moments from Darren Aronofsky’s Pi finds Sol positing that the unlimited possibilities of a game of Go reflects the chaos of life, and Max not quite refuting his point with the quote above. Maybe life simply becomes more predictable as we move through it. That’s certainly true of narratives — what starts as a completely open field often falls into a well-worn pattern as it winds to a close. Take Animal Man: as a series, it has been as original and unpredictable as they come, but as Jeff Lemire sets up his endgame in issue 27, some of the beats feel a bit more familiar. In fact, this issue seems to employ just about every tension-goosing tool in the box, building to what promises to be a pretty spectacular two-part finale. Continue reading →
Today, Scott and Shelby are discussing Animal Man 25, originally released November 20th, 2013.
Scott: As a writer, it’s my perpetual fear that whatever idea I’ve just come up with has already been done. Even if I believe an idea to be entirely my own, I’m always a little afraid someone out there will find a similarity to some other work, and I’ll be branded an idea thief. Writers and artists accused of stealing or copying material are ridiculed to no end on internet forums. Think of the hit Dane Cook’s reputation took when he was accused of stealing material from Louis C.K. Of course, it’s entirely possible for two creative people to independently come up with the same thought. That makes it all the harder to judge two concurrent works that share strong similarities. It’s impossible to know which creator had the idea first, and unfair to blame either one for sharing what is, to them, an original concept. Animal Man writer Jeff Lemire is fighting the perception that his story is too similar to semi-sister comic Swamp Thing. Fair or not, an otherwise strong issue of Animal Man suffers from feeling a little too familiar. Continue reading →
Today, Scott and Patrick are discussing Animal Man 23, originally released August 21st, 2013.
Scott: Nothing rocks us harder, on a personal level, than a betrayal of trust. A cheating spouse, a conniving business partner — nothing is harder to grapple with than the idea of someone you trust working against you. It’s distressing to both your head and your heart. A similar effect can be had on a community, or an entire society, as the result of a security breach. When a place we trust is safe- a school, a temple, a movie theater- is marred by an act of terror, irreparable damage is done to our collective trust. In Animal Man 23, writer Jeff Lemire combines these two types of betrayal in one fell swoop, destroying a place we thought was safe and pulling back the curtain on someone we thought could be trusted. It’s fantastically horrific, and will make you question whether anything you believe about this title is truly as it seems.
Today, Scott and Shelby are discussing Animal Man 22, originally released July 17th, 2013.
Scott: I recently watched a birth. I wasn’t in the room, I just saw footage that’s going to be used in a documentary, but trust me, it was enough. As anyone who has ever witnessed a birth can surely tell you, it’s not recommended for those with weak stomachs. At the same time, and probably for the same reason, it’s impossible to look away. It’s human nature; when you’re faced with something you don’t really want to see, you just have to look. It’s why, when you cover your eyes during a scary scene in a movie, you still peek through the cracks of your fingers. The same thing happened to me while reading Animal Man 22. Writer Jeff Lemire and artist Steve Pugh have crafted an issue full of things I never wanted to see, thus ensuring I wouldn’t look away. Those clever bastards…