Today, Drew and Scott are discussing Animal Man 27, originally released January 22nd, 2014.
But as a Go game progresses, the possibilities become smaller and smaller. The board does take on order. Soon, all moves are predictable.
Maximillian Cohen, Pi
Drew: Do you ever find yourself wondering exactly how apt an analogy is? Or that it might be more apt than we realize. One of my favorite moments from Darren Aronofsky’s Pi finds Sol positing that the unlimited possibilities of a game of Go reflects the chaos of life, and Max not quite refuting his point with the quote above. Maybe life simply becomes more predictable as we move through it. That’s certainly true of narratives — what starts as a completely open field often falls into a well-worn pattern as it winds to a close. Take Animal Man: as a series, it has been as original and unpredictable as they come, but as Jeff Lemire sets up his endgame in issue 27, some of the beats feel a bit more familiar. In fact, this issue seems to employ just about every tension-goosing tool in the box, building to what promises to be a pretty spectacular two-part finale. Continue reading →
Today, Scott and Shelby are discussing Animal Man 25, originally released November 20th, 2013.
Scott: As a writer, it’s my perpetual fear that whatever idea I’ve just come up with has already been done. Even if I believe an idea to be entirely my own, I’m always a little afraid someone out there will find a similarity to some other work, and I’ll be branded an idea thief. Writers and artists accused of stealing or copying material are ridiculed to no end on internet forums. Think of the hit Dane Cook’s reputation took when he was accused of stealing material from Louis C.K. Of course, it’s entirely possible for two creative people to independently come up with the same thought. That makes it all the harder to judge two concurrent works that share strong similarities. It’s impossible to know which creator had the idea first, and unfair to blame either one for sharing what is, to them, an original concept. Animal Man writer Jeff Lemire is fighting the perception that his story is too similar to semi-sister comic Swamp Thing. Fair or not, an otherwise strong issue of Animal Man suffers from feeling a little too familiar. Continue reading →
Today, Patrick and Scott are discussing Animal Man 24, originally released October 16th, 2013.
Todd, of course, is nominated tonight for Best Actor for his chilling portrayal of a psychic FBI agent who falls in love with a beautiful, deaf dolphin trainer in the amazing film Sea of Echoes.
–Animal Man 24
Patrick: DC has since abandoned the following nomenclature, but Animal Man used to fall under the line of “Dark” comics. This distinction generally just meant supernatural: we weren’t dealing with alien supermen or gadgety crime fighters, but Swamp Things and Magicians and Vampires. These stories also veered more into the horror genre, and there are few series that took that “dark” label to heart more literally than Animal Man. Buddy’s enemies are grotesque, his powers distort his body and mind and the bad guys routinely target his family. Hell, agents of the Rot killed his son. Writer Jeff Lemire is always careful to keep his eye on the tone, and keeps the series from becoming a slog. He’s able to lighten the mood here by pointing to his own work, and that of new series artist Rafael Albuquerque, and remind us that it might all be sorta silly. It’s a healthy reminder, and one that makes all the surrounding darkness go down a little smoother. Continue reading →
Today, Scott and Patrick are discussing Animal Man 23, originally released August 21st, 2013.
Scott: Nothing rocks us harder, on a personal level, than a betrayal of trust. A cheating spouse, a conniving business partner — nothing is harder to grapple with than the idea of someone you trust working against you. It’s distressing to both your head and your heart. A similar effect can be had on a community, or an entire society, as the result of a security breach. When a place we trust is safe- a school, a temple, a movie theater- is marred by an act of terror, irreparable damage is done to our collective trust. In Animal Man 23, writer Jeff Lemire combines these two types of betrayal in one fell swoop, destroying a place we thought was safe and pulling back the curtain on someone we thought could be trusted. It’s fantastically horrific, and will make you question whether anything you believe about this title is truly as it seems.
Today, Scott and Shelby are discussing Animal Man Annual 2, originally released July 31st, 2013.
Scott: Nothing is more universal than a parent wanting to provide a safe place for his or her children. And I’m sure nothing is more frightening to a parent than the prospect of failing to provide that safety. For many species- let’s say, spiders, for example- that safety comes at a premium, and many who are born fail to make it to adulthood. That fear has become a reality for Buddy Baker, as he has seen his son Cliff die and been forced to wonder how he could have better protected his child. Animal Man Annual 2 thrusts Buddy’s grieving to the forefront, as writer Jeff Lemire explores a particularly touching and incredibly frightening experience Buddy and Cliff once shared.
Today, Scott and Shelby are discussing Animal Man 22, originally released July 17th, 2013.
Scott: I recently watched a birth. I wasn’t in the room, I just saw footage that’s going to be used in a documentary, but trust me, it was enough. As anyone who has ever witnessed a birth can surely tell you, it’s not recommended for those with weak stomachs. At the same time, and probably for the same reason, it’s impossible to look away. It’s human nature; when you’re faced with something you don’t really want to see, you just have to look. It’s why, when you cover your eyes during a scary scene in a movie, you still peek through the cracks of your fingers. The same thing happened to me while reading Animal Man 22. Writer Jeff Lemire and artist Steve Pugh have crafted an issue full of things I never wanted to see, thus ensuring I wouldn’t look away. Those clever bastards…
Today, Scott and Drew are discussing Animal Man 21, originally released June 19th, 2013.
Scott: We’ve reached a historic lowpoint for privacy. Every phone call, email, text message you send can and will be recorded and filed away in some classified government database. It’s ironic, I think, that the harshest condemnations of the NSA I’ve come across have been voiced on Facebook and Twitter, forums infamous for their users’ public over-sharing of thoughts better kept private. The rise of social media has made privacy invasion a daily risk for nearly everyone; most of us can only take solace in knowing our every thought is of little interest to anyone but our inner circles. But it’s enough to make you feel bad for celebrities, who must pay for their time in the spotlight by never being able to truly leave it — their privacy always at the mercy of any bystander with a smartphone. Animal Man 21 explores the potential dangers social media poses for newfound celebrity Buddy Baker and his fans.
Today, Mikyzptlk and Scott are discussing Animal man 19, originally released April 3rd, 2013.
Mikyzptlk: In the modern world of superhero comics, it’s become the norm to inject “real world” elements into the story to make the fantastic characters more relatable to readers by bringing them down to earth. Most superheroes have a secret identity or some kind of life outside of the never-ending battle that keeps them grounded, but Buddy Baker has always had an entire family to help keep him in check. As much as he’s been the Animal Man, he’s also been the family man as writers have often chosen to focus not just on Buddy, but his wife and children as well. In the aftermath of Rotworld, Jeff Lemire explores what happens when the fantastic elements of the life of our hero ends up taking away everything else. Continue reading →
Drew: Many fans were dismayed when DC spoiled the end of Batman Incorporated 8, but it really wasn’t just that they had made those spoilers available — it was that they made them unavoidable, popping up when you accessed their website with no way of avoiding the information. Sure, you could argue that the cover to that issue (which had, unfortunately, already been leaked) gave the ending away, but it’s not exactly like comic book covers have to be representing actual events in the issue. Case in point: Batman R.I.P., which — contrary to what the title suggests — [SPOILER] doesn’t feature the death of Batman. In fact, the well-known hyperbolic nature of comic book covers is precisely what made me so skeptical that Animal Man 18 would actually feature “the most TRAGIC DAY in the life of BUDDY BAKER!” (Spoilers after the jump) Continue reading →
Scott: This comic is called Animal Man, but it’s hardly about Buddy Baker at this point. Sure, Animal Man and Swamp Thing are the focal points of the RotWorld crossover event, but their personal objectives and motivations are overshadowed by RotWorld itself. There are so many characters fighting against the rot that it’s tough to consider Animal Man the main character in this issue, and even more difficult to think of his personal motivation — to save Maxine — as the emotional center of the story. Throw in the fact that this issue truly is a crossover with Swamp Thing, and it’s harder yet to think of this as Animal Man’s story. Not that that’s a bad thing. Animal Man is part of an awesome team fighting against the Rot, and the collective inventiveness they display here makes Animal Man 17 a thoroughly fun and often jaw-droppingly cool experience.