Superman: American Alien 7

superman amer alien 7

Today, Ryan D. and Michael are discussing Superman: American Alien 7, originally released May 18th, 2016.

Everyone has a plan ’till they get punched in the face.

-Mike Tyson

Ryan D: Superman is known for having epic, city-leveling battles. That’s just status quo. But imagine one of these super-superpowered brawls with a Clark Kent who can bleed, one who still feels emotionally and physically vulnerable despite his abilities? Even better: while we’ve seen this Superman deal with mindless monsters and scheming billionaire magnates, imagine his first encounter with a being of deep moral apathy, with whom the Man of Steel may have more in common with than he does with the people of Earth. Max Landis and Jock tell an ambitious story in the ultimate issue of American Alien, concluding my favorite run with the character since Morrison’s All-Star Superman. Continue reading

Superman: American Alien 2

american alien 2

Today, Spencer and Drew are discussing Superman: American Alien 2, originally released December 16th, 2015.

Spencer: As a rule, Superman is the last character I want to see explored in a “realistic” fashion. Superman is at his best when he’s larger than life, inspiring others by word and deed, making us believe a man can fly, not when getting bogged down by explanations of how he can fly or arguments about his inherent goodness being unrealistic. That said, there’s an exception to every rule, and I think Superman: American Alien is my exception to this rule. It helps, though, that in his exploration of a how a more down-to-Earth Clark Kent grows up to be Superman, writer Max Landis discovers that normalcy and Clark Kent just don’t mix — he transcends the reality of Smallville itself. Continue reading

Action Comics 38

Alternating Currents: Action Comics 38, Suzanne and Drew

Today, Suzanne and Drew are discussing Action Comics 38, originally released January 7th, 2015.

Suzanne: Have you ever read a story arc that you didn’t quite connect with? A few years back, I picked up Geoff Johns’ Blackest Night and was disappointed that it didn’t have the emotional punch for me that so many other readers felt. Maybe I was at a disadvantage — I was unfamiliar with the pre-New 52 universe and this was my introduction to many of the characters. Then I read the first few issues of Johns’ Justice League when the members confront the ghosts of their dead loves ones. For example, Thomas and Martha Wayne appeared and told Bruce how disappointed they were in his choices in life. Again, I didn’t have a strong reaction to the story because the stakes didn’t feel as real. Action Comics 38 includes a horror zombie version of Jonathan and Martha Kent. So can Greg Pak revive what has become a (somewhat) tired trope and also bring renewed focus to a series overshadowed by the recent “Superman: Doomed” crossover? Continue reading

Action Comics 37

action comics 37Today, Patrick and Drew are discussing Action Comics 37, originally released December 3rd, 2014. 
Patrick: The opening to Jaws is just about perfect. A beautiful young woman indulges herself in a (probably drunken) morning swim. It’d be an idyllic scene but for the foreboding sense that this moment is somehow too precious for a movie with a giant shark on the poster. When the inevitable shark attack happens, the audience is briskly snapped away from the pleasant scene and tossed back and forth like the film’s first victim. The violence is jarring, not because it’s particularly graphic or believable (there’s no reason a shark would drag someone around the surface of the water for so long), but because we’re able to feel the loss of the pleasantly banal moment that came before. Action Comics 37 plays a similar trick, insisting on a Smallville that’s apparently very serene, until that very serenity ends up be just as creepy as any external threat Superman can face. Continue reading

Action Comics 36

Today, Shane and Taylor are discussing Action Comics 36, originally released November 5th, 2014. 

Shane: Horror in comics has recently hit a major revitalization. Heralded by the meteoric success of The Walking Dead, we’ve seen such titles as American VampireUzumaki and Locke & Key emerge to terrify the market. Even mainstream superhero books like Animal Man and X-Men have made real attempts to embrace the horror genre, but, honestly, answer me a question: If you had to pick an iconic superhero, one of the real icons, to have a major horror arc…would Superman be your first choice? No. Not at all. Batman, sure — he fits right into the dark world. Even Wonder Woman, with her mythological connections, could gravitate towards a number of unsettling stories. But Superman, the paragon of hope? Not a chance. Continue reading