How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing All-Star Batman 6, Detective Comics 948, Flash 14, Hal Jordan and the Green Lantern Corps 12, New Super-Man 7 and Wonder Woman 14. Also, we’ll be discussing Gotham Academy Second Semester 5 on Tuesday, so come back for that! As always, this article containers SPOILERS!
Tag Archives: Jock
Superman: American Alien 7
Today, Ryan D. and Michael are discussing Superman: American Alien 7, originally released May 18th, 2016.
Everyone has a plan ’till they get punched in the face.
Ryan D: Superman is known for having epic, city-leveling battles. That’s just status quo. But imagine one of these super-superpowered brawls with a Clark Kent who can bleed, one who still feels emotionally and physically vulnerable despite his abilities? Even better: while we’ve seen this Superman deal with mindless monsters and scheming billionaire magnates, imagine his first encounter with a being of deep moral apathy, with whom the Man of Steel may have more in common with than he does with the people of Earth. Max Landis and Jock tell an ambitious story in the ultimate issue of American Alien, concluding my favorite run with the character since Morrison’s All-Star Superman. Continue reading
Today, Michael and Patrick are discussing Batman 44, originally released September 9th, 2015.
Michael: While Scott Snyder’s current Batman run could fit into the mold of “written for trade paperback collections,” he also likes his standalone issues. Batman 44 takes a reprieve from Jim Gordon’s inaugural Batman arc, “Superheavy,” to tell an all-too-real story about a murdered black teenager. Taking place shortly after Zero Year, the relatively new Batman does some detective work to find out a little more about this murdered teen: Peter Duggio. He discovers that Peter was mixed up with The Penguin, the Four Fives gang and a mysterious man (who readers know to be Mr. Bloom) who gave him some temporary super powers. When his powers ran out (Man-bat wings), Peter fell to his death. But before that he was shot four times by a police officer. Continue reading
Retcon Punch is for Lovers; Happy Valentine’s Day!
February 14th is about three things: socks with hearts on them, discount chocolates on the 15th, and corny Valentines cards for your friends. We can’t really share the first two with you, our loyal readers, but boy can we share the third! A couple years ago we made a bunch of corny Valentine’s Day cards, and we had so much fun we did it again last year. Because we’re once, twice, three times a lady, we’ve done it again and made a new batch of Valentines for you all. Feel free to print and pass them out to the nerds you love the most, just keep our name on them, huh? More after the break.
Today, Shelby and Drew are discussing Wytches 2, originally released November 12th, 2014.
Shelby: Speaking broadly to make my point, I’ve found there are two types of people in the world: people who like horror and people who don’t. I (probably unsurprisingly) fall in the former category. I’m a big wuss about scary movies, even though I really appreciate them, and at Six Flags’ Fright Fest this year my friend Selene had to hold my hand when we went through the haunted houses (no joke: I am 30 years old), but I still get and like the thrill of being scared. Horror novels have always been my jam; I started on Goosebumps as a kid, graduated to Fear Street in middle school, and straight on to Stephen King in high school. It’s no surprise, then, that I am loving Scott Snyder’s Wytches. Again, no joke, I am writing this with all the lights off, wrapped in a blanket, listening to an album of horror movie music. After all, pledged is pledged. Continue reading
Today, Taylor and Drew are discussing Wytches 1, originally released October 8th, 2014.
Taylor: What with all the recent fanfare over vampires and the occasional werewolf, it’s easy to forget they are but a distant second to the most used Halloween costumes. While Frankenstein is always a crowd pleaser, I’m of course referring to witches. Yes, the pointed hatted women riding broomsticks with black cats are perhaps an even more iconic symbol of spookiness than any number of vampire fangs. So why aren’t they as popular as their Vampire counterparts? How come for every one book about witches there are ten about blood-suckers? With these questions in mind I dived into issue Scott Snyder’s new series, Wytches. While I didn’t necessarily have all of my questions answered, I did get enough to pique my interest. Continue reading
Justice League 23.3: Dial E
Today, Taylor and Drew are discussing Justice League 23.3: Dial E, originally released September 18th, 2013. This issue is part of DC’s Villain Month. Click here for our coverage of Villain Month.
Taylor: The encore of a show is always a little awkward. With most shows you attend nowadays an encore is almost expected. Gone are the days of the earned encore, where and artist actually had to earn the audience’s appreciation and rewarded them with a few extra bits of music. This has been replaced with instances where artists look a trifle bored with an encore, seemingly wishing that they could just retire to their bus or greenroom. The situation has become so problematic that some artists have gone so far as to state they won’t be doing an encore no matter how much the audience claps or yells. It’s hard to determine precisely what brought us to this point, but the fact remains that the encore has become not the exception, but the expected. Given this state of affairs, I was curious to see how the issue 23.3 of the The Justice League: Dial E (part of the Villains month event) would be treated by writer China Mieville. Would this be an artist merely pandering to the crowd or an artist excited by the chance to once again share his art with his fans? Continue reading
Today, Drew and Shelby are discussing Batman 16 originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Drew: One of the most thrilling things about Christopher Nolan’s The Dark Knight was the surprisingly strong case it made for Joker’s way of thinking. Obviously, we aren’t meant to agree with his murderous methods, but any time he’s given a chance to explain his worldview, he actually makes a pretty compelling argument. The effect was a surprisingly nuanced take on the nature of freedom, drawing our attention to just how untenable Batman’s outlook is, as well. Scott Snyder manages a similar trick in Batman 16, making Joker’s argument alluring, even as his methods are utterly horrifying. Continue reading
Today, Drew and Patrick are discussing Batman 15 originally released December 12th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Drew: Scott Snyder has stated that his first three pitches for Batman (The Court of Owls, Death of the Family, and the next arc) form a kind of triptych examining different aspects of Batman. The Court of Owls put Bruce’s relationship with Gotham under the microscope, revealing a great deal about both. Joker’s relationship with Batman is equally indelible (and worthy of scrutiny), but Snyder has dug much deeper with Death of the Family, taking on a much more fundamental — but often unexamined — characteristic of Batman: his leadership. Continue reading
Today, Drew and Michael are discussing Batman 14 originally released November 14th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Drew: Batman and the Joker are timeless. That is, they shift and adjust to the times. It gives them longevity, but it also makes pinning down the true nature of their conflict difficult. The Joker has been everything from a harmless prankster to a genociding psychopath, and Batman can range from avenging creature of the night to kid-friendly crime-stopper, so the fundamental nature of their relationship must lie deeper than superficial proclamations about color scheme, or even “seriousness.” The Dark Knight tilted at the deeper levels, but left them as overtones to the physical conflict. In Batman 14, Scott Snyder takes that subtext and makes it the text, delivering a surprising rumination on the nature of both detective stories and humor in general. Continue reading