This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Michael: Batman is a subject that frequents many pages of my sketchbooks and I assume everyone else’s. Unlike the versatile Batman, I find that Superman is a harder character to draw, especially in his facial features. The face of Superman has to simultaneously convey strength, joy and a decent amount of charm. Thus far, I am enjoying Brian Michael Bendis’ depiction of Superman, and in Man of Steel 2, he is joined by 3 artists who tap into that Clark Kent Charm. Continue reading →
Today, Suzanne and Drew are discussing Action Comics 38, originally released January 7th, 2015.
Suzanne: Have you ever read a story arc that you didn’t quite connect with? A few years back, I picked up Geoff Johns’ Blackest Night and was disappointed that it didn’t have the emotional punch for me that so many other readers felt. Maybe I was at a disadvantage — I was unfamiliar with the pre-New 52 universe and this was my introduction to many of the characters. Then I read the first few issues of Johns’ Justice League when the members confront the ghosts of their dead loves ones. For example, Thomas and Martha Wayne appeared and told Bruce how disappointed they were in his choices in life. Again, I didn’t have a strong reaction to the story because the stakes didn’t feel as real. Action Comics 38 includes a horror zombie version of Jonathan and Martha Kent. So can Greg Pak revive what has become a (somewhat) tired trope and also bring renewed focus to a series overshadowed by the recent “Superman: Doomed” crossover? Continue reading →
Today, Patrick and Drew are discussing Action Comics 37, originally released December 3rd, 2014. Patrick: The opening to Jaws is just about perfect. A beautiful young woman indulges herself in a (probably drunken) morning swim. It’d be an idyllic scene but for the foreboding sense that this moment is somehow too precious for a movie with a giant shark on the poster. When the inevitable shark attack happens, the audience is briskly snapped away from the pleasant scene and tossed back and forth like the film’s first victim. The violence is jarring, not because it’s particularly graphic or believable (there’s no reason a shark would drag someone around the surface of the water for so long), but because we’re able to feel the loss of the pleasantly banal moment that came before. Action Comics 37 plays a similar trick, insisting on a Smallville that’s apparently very serene, until that very serenity ends up be just as creepy as any external threat Superman can face. Continue reading →
Today, Shane and Taylor are discussing Action Comics 36, originally released November 5th, 2014.
Shane: Horror in comics has recently hit a major revitalization. Heralded by the meteoric success of The Walking Dead, we’ve seen such titles as American Vampire, Uzumaki and Locke & Key emerge to terrify the market. Even mainstream superhero books like Animal Man and X-Men have made real attempts to embrace the horror genre, but, honestly, answer me a question: If you had to pick an iconic superhero, one of the real icons, to have a major horror arc…would Superman be your first choice? No. Not at all. Batman, sure — he fits right into the dark world. Even Wonder Woman, with her mythological connections, could gravitate towards a number of unsettling stories. But Superman, the paragon of hope? Not a chance. Continue reading →