Today, Spencer and Patrick are discussing The Flash 22, originally released May 17, 2017. As always, this article contains SPOILERS.
Spencer: So now that the story’s over, I’ve got to ask: what was “The Button” actually about? While the crossover’s first three installments each served up satisfying stand-alone stories, they never came together with any kind of purpose. There’s a touching Batman story buried in “The Button,” but if it was meant to move forward the overarching “Rebirth” storyline, it essentially ended up standing still. Continue reading →
Today, Drew and Mark are discussing Batman 21, originally released April 19th, 2017. As always, this article contains SPOILERS.
Drew: I was late getting into comics, so by the time I first read Watchmen, its cynical tone and psychologically nuanced characters weren’t the subversive breath of fresh air they were in 1986. Indeed, in the wake of Watchmen‘s success, publishers pumped out plenty of imitators over the past 30 years, but mostly by replicating the tone and approach to characters (honestly, I’ve read so many deconstructions of superheroes at this point, I’m not sure I have any ideas about them left to deconstruct). For this reason, the tone and characters of Watchmen have always struck me as well-done, but largely unremarkable — and before you sound off in the comments, I can assure you I understand how ahistorical this perspective is, but it’s how I feel. But I still love Watchmen deeply because of its formal perfection. While its idiosyncratic aesthetic may make declaring “perfection” highly subjective (or at least qualifies it with some serious “apples and oranges” hedging), I’m still in awe of its disciplined layouts, masterful pacing, and rich details. Continue reading →