This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Drew: Bruce Wayne understands that his responsibilities as Batman demands sacrifice. He devotes his time, body, and earthly resources to his mission to fight crime, and generally takes that mission very seriously. All of which can look like he’s sacrificed his own happiness in order to be Batman. Or, more precisely, that his happiness is a necessary sacrifice for his existence. Batman’s drive, the argument goes, comes from his grief, anger, and sadness, so anything that blunts or dilutes those feelings weaken his mission. It’s a position DC Editorial staked out back in 2013, when Dan DiDio explained why Batwoman’s marriage could never happen, but it’s not necessarily a philosophy writer Tom King ascribes to. Indeed, King has argued that Batman’s happiness is a valuable source of drama, stating “There’s no conflict in having Batman be sad. There’s conflict in having Batman be happy.” That may mean King sees Batman’s happiness as only a temporary condition, but it’s obviously not out of the question. The point is, it’s a hotly debated topic, and one that King cleverly allows to play out in the pages of Batman 50. Continue reading →
This article containsSPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Spencer: I wasn’t even five years old when the Cold War officially ended, so I can’t really comment on what it must have been like to live under its omnipresent dread. I have plenty of first-hand experience, though, living in 2017, a year where each and every moment has felt like it may be the world’s last, a year which has seen a constant struggle against tyrannic forces just to keep vital freedoms alive. If Alan Moore and Dave Gibbons’ classic Watchmen channeled the Cold War’s constant unease into its narrative, then Doomsday Clock does the same thing with the chaotic political battleground of 2017, creating a fraught, tense world that feels mere moments away from ending. Continue reading →
Today, Drew and Mark are discussing Batman 21, originally released April 19th, 2017. As always, this article contains SPOILERS.
Drew: I was late getting into comics, so by the time I first read Watchmen, its cynical tone and psychologically nuanced characters weren’t the subversive breath of fresh air they were in 1986. Indeed, in the wake of Watchmen‘s success, publishers pumped out plenty of imitators over the past 30 years, but mostly by replicating the tone and approach to characters (honestly, I’ve read so many deconstructions of superheroes at this point, I’m not sure I have any ideas about them left to deconstruct). For this reason, the tone and characters of Watchmen have always struck me as well-done, but largely unremarkable — and before you sound off in the comments, I can assure you I understand how ahistorical this perspective is, but it’s how I feel. But I still love Watchmen deeply because of its formal perfection. While its idiosyncratic aesthetic may make declaring “perfection” highly subjective (or at least qualifies it with some serious “apples and oranges” hedging), I’m still in awe of its disciplined layouts, masterful pacing, and rich details. Continue reading →
Today, Mark and Ryan are discussing Dark Knight III: The Master Race 5, originally released June 29th, 2016.
Mark: Be careful what you wish for.
When Dark Knight III was initially announced—with the subtitle The Master Race, for God’s sake—I feared the worst. Al-Qaeda’s terrorist attack on September 11, 2001 pushed Frank Miller over the edge and into a world of hate. I don’t fault anyone who lived through the mindless death and destruction in New York City for being affected by it, but Miller became unhinged, his work borderline unreadable. Lows seldom get lower than 2011’s Holy Terror. Still, The Dark Knight is a name that’ll sell, and DC hasn’t exactly been lighting up the charts, so a resurrection of Miller’s most famous book was inevitable. My hope at the time of the announcement was that having trusted DC talent Brian Azzarello attached to the project as co-author would perhaps temper some of Miller’s more…flamboyant flourishes.
Now, five issues into Dark Knight III, I find myself wishing for a bit more of that Frank Miller lunacy. Continue reading →
Today, Andy and Spencer are discussing Justice League 44, originally released September 30th, 2015.
Andy: Justice League stories usually come in one of two shapes: seismic clashes between legions of good and evil that change the universe forever, or workplace procedurals driven by quirky-character team ups. Justice League 44 sits firmly in the first category, as Darkseid and Darkseid-wannabe Anti-Monitor punch each other to decide the true big baddie of the DC universe. Continue reading →
Today, Michael and Mark are discussing Justice League 41, originally released June 3rd, 2015.
Michael: My biggest gripe with super hero movies or comic book reboots is that their world isn’t fully-formed; typically we have to wait an hour into the movie before the hero does the hero-ing we came to see. Origins, exposition and plot machinations take up an overwhelming amount of time and space in these situations. “Darkseid War” might be my favorite Justice League story yet because it doesn’t take that commonplace route. While Justice League41 does have a lot of exposition, we are entering into the fully-formed world of the New Gods of Apokolips. This isn’t the origin story of Mister Miracle; he’s BEEN Mister Miracle for a while now. Continue reading →