Today, Drew and Spencer are discussing Swamp Thing 40, originally released March 4th, 2015.
Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp’d towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.
William Shakespeare, The Tempest
Drew: I’ve always been frustrated by endings. Not necessarily because I want the story to continue, and not even because they’re done poorly (though they often are), but because the notion of “ending” draws attention to the limits of the narrative precisely when we want to savor every moment of the story itself. “Life goes on,” so the saying goes, but stories don’t — at least, not on the page. It’s a testament to this awkwardness that even William Shakespeare felt the need to lampshade it, defiantly pointing at the limits of the narrative itself in the hopes of elevating it beyond them. Charles Soule does something very similar in his Swamp Thing 40, turning this final issue into a postmodern commentary on endings in general. Continue reading