Today, Mark and Drew are discussing Secret Wars 2, originally released May 13th, 2015.
Mark: This summer finds both DC and Marvel presenting readers with big crossover events where their heroes fight for survival, but the approaches couldn’t be more different. For all of the problems DC’s Convergence has (and the list is not brief), one advantage is that DC has a long, storied history of multiverses, continuities, and characters to choose from. It does my nerd heart good to see characters like pre-Flashpoint Superman once again, characters to which I have a lot of attachment. Maybe it’s a cheap thrill, but there’s something to seeing these heroes from different times and universes coming together. Marvel does not have the luxury of history. They’ve always employed a rolling continuity that keeps their characters’ histories current without having to do a hard reboot like the New 52. Outside of Earth-616, the Ultimate universe has been a depressing mess for such a long time that Miles Morales was the only reason to keep it limping along at all. So in order for Marvel to create an interesting clash of heroes, they had to basically build one from the ground up.
Enter Battleworld. I admit to having Jonathan Hickman fatigue after his sometimes messy, always talky Avengers/New Avengers run, and I honestly found Secret Wars 1 to be rather boring, but I appreciated the mash up of sci-fi and fantasy tropes with the Marvel Universe found in Secret Wars 2.Continue reading →
Today, Patrick and Shelby are discussing FF 11, originally released August 28th, 2013.
Patrick: I don’t care how many times we say it around here — it bears repeating: comics are weird. Every time I think I get a handle on the time travel, or space travel, or clones, or moloids or whatever, I discover that the well of weird is deeper than I could ever imagine. Enter: The Impossible Man. Who’s The Impossible Man? Just a shapeshifting alien with nearly unlimited power and a comprehensive knowledge of (and fascination with) Earth popular culture. I did a little rudimentary research, just to familiarize myself with the character, and my favorite piece of trivia about The Impossible Man is that he once talked Galactus out of eating Earth, and then celebrated by going to the Marvel offices and demanding that Stan Lee give him is own solo series. It is in that spirit that FF 11 introduces his son.
Today, Patrick and Drew are discussing FF 10, originally released July 31st, 2013.
“I’ve written myself into my own script.”
“That’s kinda weird, huh?”
“It’s self-indulgent! It’s narcissistic! It’s solipsistic! It’s pathetic! I’m pathetic and I’m fat and pathetic!”
Nick Cage as Charlie and Donald Kaufman, Adaptation
Patrick: Adaptation is the best narrative I’ve ever encountered that directly confronts the challenges of portraying beauty abstractly. The screenplay works incredibly hard to achieve this, constantly doubling down on both its own cleverness and its disdain for said cleverness. Screenwriter Charlie Kaufman does this my making himself a character in his own movie about adapting the book he’s been hired to adapt. If that sentence seemed to loop back on itself — and consequently, not make any sense — that’s because the film really needs to be experienced to be understood. Matt Fraction inserts himself, artist Mike Allred and editor Tom Brevoort into this issue of FF, but the lessons he offers have more to do with history than with expression. Plus, he makes himself say “ginchy,” like he’s Velma from Scooby-Doo, so you know it’s a home run.
Today, Patrick and Ethan are discussing FF 9, originally released July 17th, 2013.
Patrick: We recently decided to ax our coverage of the FF‘s sister series, Fantastic Four. Partially, we did this because Reed Richards is an insufferable asshole, but the series also suffered from its own apparent non-importance. The idea of the Fantastic Four’s totally episodic adventures through time and space sounded like an awful lot of fun, but they started to feel trivial pretty quickly. When you account for the Magic School Bus level of coincidence involved in some of their stories (“hey look kids, it’s Julius Cesar!”), it became clear that the story wasn’t for us. Or was it? FF’s stories have been pretty insubstantial too, but there’s something about the cast and the sense of humor we just liked more. With this issue, Fraction reveals that none of his stories have been irrelevant, and all of these threads are woven together into a single tapestry, telling personal, interested and interesting stories about the people touched by the Fantastic Four. Plus: POOL PARTY!
Today, Ethan and Shelby are discussing FF 7, originally released May 15th, 2013.
Ethan: Family is the most important thing. The ones closest to us make all the difference, whether that’s helping us reach our goals, being there for us when we’re down, or providing vital sustenance when we kill them and eat them. More on that later. Writer Matt Fraction and artist Michael Allred continue to shepherd FF forward through the latest crisis — the assault by The Wizard — with the all of the quirks and charm we’ve come to expect. Even for an issue that spends more time than usual on its fight scenes, Fraction still finds ample room to pack in both the standard measure of goofball interactions and touching moments.
Today, Shelby and Ethan are discussing FF 6, originally released April 24th, 2013.
Shelby: It’s interesting to see the real world creep into comic books. On the one hand, real world elements make comic books more relateable; if we can relate to the events our heroes are facing, it’s easier for us to become immersed in the story. On the other hand, real world events juxtaposed with fantastic (and sometimes dumb) comic book events can be jarring and ultimately make the story unnecessarily nonsensical. Matt Fraction maintains the balance of real world and comic world by making the silly comic book stuff EXTRA silly while at the same time making the characters extra endearing. I don’t understand how or why, but it works. Continue reading →