Today, Patrick and Drew are discussing Ms. Marvel 7, originally released May 25th, 2016.
Patrick: Y’know, for being one of them-there “Inhumans,” Kamala Kahn is not particularly well-suited for large-scale comic book crossovers. Her problems tend to be grounded in something so much more closely resembling reality than someone like Carol Danvers or Tony Stark or even Peter Parker. She’s not going into space, and if she is fighting some kind of superpowered evil, it’s more of a strain on her maxed-out high school schedule than it is a threat to her life. So I was a little taken aback when I saw that this issue was designated a “The Road to Civil War II” story, with all that self-serious branding on the cover. Luckily — and obviously, when you take a second to think about it — G. Willow Wilson and Adrian Alphona understand what works about Ms. Marvel. Instead of delivering twenty pages of set-up, they craft a narrative that plays out — and subverts — the themes of Civil War in a friendly, emotionally honest way that’s true to their characters. Continue reading →
Today, Spencer and Drew are discussing The Uncanny Inhumans 5, originally released February 17th, 2016.
Spencer: I can’t even begin to imagine how much fun Charles Soule is having with the Inhumans. Despite their decades-long existence as characters, Soule’s been able to rebuild their status quo within the Marvel Universe nearly from scratch; that’s an assignment full of amazing possibilities, but it’s also one that comes with a daunting level of responsibility. The amount of thought Soule has put into these characters’ place in their world (and how they’ve worked to define it) is clear throughout Uncanny Inhumans 5, which not only introduces a new layer to their society in the form of the Quiet Room, but then makes it explicit how this works to further their agenda. Continue reading →
Today, Spencer and Taylor are discussing A-Force 1, originally released January 6th, 2016.
Spencer: As comic book fans, we’re all used to the idea of alternate realities. They pop up with surprising frequency, but whether we spend just a few scant pages exploring them or several months immersed within their worlds, we’re always aware that they aren’t the “main” continuity, simply fun “what-if’s.” That isn’t true of the characters living within these alternate realities, though — for them it’s their home, their entire world, everything they know and love. That holds especially true for Singularity, the main protagonist of G. Willow Wilson and Jorge Molina’s A-Force 1 — hailing from God Doom’s Battleworld, Singularity’s entire life spans just the five issues of the first volume of A-Force, so for her the return of Earth-616 isn’t the triumphant homecoming it is for readers, but a strange, scary new reality that she knows nothing about. Continue reading →
Today, Patrick and Michael are discussing Uncanny Inhumans 2, originally released November 18th, 2015.
1. strange or mysterious, especially in an unsettling way.
Patrick: In light of the recent nuking and un-nuking (or possibly re-nuking) of the Marvel Universe, readers are reasonably expecting some straightforward adventure storytelling. What better way to get back to the basics of these characters than by comfortably setting them in a familiar world? But writer Charles Soule seems to be after anything but “comfortable” — only two issues in and it looks like he just wiped most of the Inhumans out of existence. The series is possessed by this insane confidence, with little regard to how strange, mysterious or even unsettling it becomes. They’re not joking around when they call this thing “uncanny.” Continue reading →
Today, Mark and Spencer are discussing Uncanny Inhumans 1, originally released October 21st, 2015.
Mark: Black Bolt is having a terrible, horrible, no good, very bad day. He, Triton, and Reader travel back 13,000 years to Attilan in hopes of retrieving Black Bolt’s son and heir Ahura. But in doing so Black Bolt breaks his word to Kang the Conqueror, and Kang doesn’t take very kindly to the betrayal. He transports the Inhumans to an island where a hydrogen bomb is about to be dropped, and then beams in some dinosaurs and WWI troops for good measure. You do not want to cross Kang the Conqueror. And if that weren’t bad enough, moments after Reader is able to get them back to their time by the skin of his teeth, Black Bolt walks in on Medusa making out with the Human Torch. Today is just not Black Bolt’s day. Continue reading →
Patrick: There’s one question that keeps rolling through my head in reading FCBD issues: who is this for? For retailers, the purpose of the event is self-evident. Stores get throw fun little parties and get some extra bodies in through those doors. And comic fans get to have their own little celebrations as well. But when I’m back in my apartment and it’s just me and books, I can’t help but wonder about everyone’s experience with their new free comics. Did the twelve year-old with Batman on his shirt get a kick of Divergence 1 because it was the “robo-Batman one?” (Those are the comic store employee’s words, not the kid’s). Were any new life-time fans born today? Or were some potential fans alienated? And what about those of us with extensive pulls? Did we get something out of this? Who are these comics for? Continue reading →
Today, Drew and Mark are discussing Avengers 40, originally released January 14th, 2015.
The more I love humanity in general, the less I love man in particular
Fyodor Dostoyevsky, The Brothers Karamazov
Drew: I think it would be fair to say that Dostoevsky’s polyphonic style — one built upon the perspectives of an array of characters — is antithetical to the notion of the hero’s journey. Indeed, Dostoyevsky’s philosophies (as articulated in the quote above) suggest that there’s an active tension between caring about an individual and caring about humanity at large. I’ve always been partial to the depth of understanding achieved by sticking with one protagonist — especially when it comes to comics — which has made me wary of the kind of expansive, Dostoyevskian scope of Jonathan Hickman’s Avengers. In my mind, a tight focus on a single character more accurately reflects how we experience the world, but with Avengers 40, Hickman makes a compelling case for how his dense interconnectednessreflects how the world actually is. Continue reading →
Today, Shelby and Patrick are discussing Inhuman 2, originally released May 28th, 2014
Shelby: Serialized media has it’s pros and cons. I rather like having to wait a bit between installments; as long as the wait isn’t too long, and I know when I’m going to get my next chunk of the story, that waiting period adds delicious tension to the tale. I think it also makes things more special, having to wait for them; anticipation can definitely make things sweeter. But, like everything, there’s a downside to dragging a story out over months; when the reader wonders, “wait, is this still happening?” when we’re only on issue 2 of the book, you know there’s a problem.
Today, Shelby and Patrick are discussing Inhuman 1, originally released April 2nd, 2014
Shelby: I have always been somewhat baffled by racism. I can’t understand the reasoning behind looking at another human being and deciding that they are inferior because of the color of their skin. I understand that racism exists, I’m certainly not trying to deny it, I just don’t understand the logic (such as it is) behind it. How can any one human be inherently better than another? And what could skin color possibly have to do with it? As Charles Soule kicks off Inhuman1, he presents us with a situation where there IS a branch of humanity which is measurably superior. The Inhumans are stronger and more powerful than the rest of us mere mortals, and some are not afraid to show it. The real question is, once these inferior humans start instantly transforming into superior beings, what are all those racist Inhumans going to do about it?