Today, Drew and Patrick are discussing Moonshine 3, originally released December 14th, 2016. As always, this article contains SPOILERS.
Drew: I remember my third grade teacher expressing regret at having sat too close to the stage at a magic show. “I could see how every trick was done,” she said, oblivious that her complaints were describing what I always wanted. To me, the “magic” of a magic wasn’t in suspending my disbelief, but knowing that they were doing something that isn’t magic right before my eyes, and I still couldn’t see it. Suffice it to say, my love of seeing the strings in art — of appreciating the thought and care that goes into those strings — runs deep. The best artists, like the best magicians, hide those strings in plain sight, such that people like my third grade teacher regret noticing them, but finding and celebrating effective uses of even the simplest techniques offers an entirely different set of pleasures. As Moonshine continues to develop its relationships in issue 3, I’d like to turn to the storytelling mechanics that make this series so remarkable. Continue reading →
Today, Patrick and Drew are discussing Moonshine 2, originally released November 16th, 2016. As always, this article contains SPOILERS.
Patrick: My father grew up in Theresa, Wisconsin. It’s a small, rural town a good 50 miles northwest of Milwaukee. Most of his side of the family is still there, cheering on the Packers and living lives I’m going to charitably call “old fashioned.” My father must have envisioned a better — or at least different — life for himself, and he got out, went to college and become an engineer. He worked in northern Illinois, the greater Chicagoland area, so the physical distance he traversed wasn’t enormous, but the philosophical distance he traveled was. He values education and art and compassion — a departure from what he was raised on. In turn, my siblings and I have all also moved away from our Wisconsin homestead and embraced cultural, societal and philosophical ideas even further from where we were raised. And not even in the same direction — my older sister is in the army, and my little brother is a crusader for homosexual homeless teens in Colorado. And I’m an artsy-fartsy comedian in Los Angeles. We’re allowed this room to grow with relatively little violence or conflict precisely because of the distance we’ve given ourselves from our stomping grounds. Brian Azzarello and Eduardo Risso’s Moonshine 2 shows just how traumatic that transition from one generation to the next can be when everyone stays in one place. Continue reading →