Projection and Toxic Masculinity in West Coast Avengers 3

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When discussing West Coast Avengers 2, we went into significant detail about how B.R.O.D.O.K. represented the worst traits of toxic masculinity, of entitled, deluded men who think of women as objects or prizes rather than real people with their own needs, personalities, and desires. With issue 3, Kelly Thompson and Stefano Caselli continue to explore this topic, but come at it from a slightly different angle. This time, their attention is focused less on the delusions that drive B.R.O.D.O.K. and more on how his actions effect the women around him. Spoiler alert: things don’t go well for them. Continue reading

West Coast Avengers 2: Discussion

by Spencer Irwin and Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Kate Bishop’s California adventures — under the pens of both Matt Fraction and Kelly Thompson — have all more-or-less revolved around the idea of appearance, on Hollywood’s obsession with beauty, fame, and youth. On first glance, M.O.D.O.K.’s transformation into the chiseled B.R.O.D.O.K. in West Coast Avengers 2 seems fueled by the same kinds of obsessions, but there’s actually an even greater danger lurking deep within: B.R.O.D.O.K.’s preoccupation with appearance is driven entirely by dangerous entitlement and toxic masculinity. Continue reading

West Coast Avengers 1: Discussion

by Spencer Irwin and Patrick Ehlers 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

This is the true story of seven strangers picked to work together and have their lives taped, to find out what happens when people stop being polite, and start getting real.

The Real World.

Spencer: Despite that famous tagline, reality television rightfully has a reputation for being anything but real, with contestants purposely taking on certain roles for the camera and producers editing footage in misleading ways to construct particular narratives (whether they’re “true” or not). Part of what makes West Coast Avengers so interesting, then, is that, despite its “superhero reality show” concept, creators Kelly Thompson and Stefano Caselli seem devoted to depicting the sad realities of their cast’s lives, to finding the truth behind their day to day existences, even when those existences are patently absurd. Continue reading