Black Panther Annual 1: Discussion

by Drew Baumgartner and Ryan Desaulniers

Black Panther Annual 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Drew: Over the past two weeks, countless articles have been written about the world-building in the Black Panther film. It’s obviously something the movie does remarkably well, combining a kind of anthropological survey of African culture with a sci-fi utopia for an Afrofuturist aesthetic that is unique in the world of blockbuster movies. Moreover, that world-building was essential in ingratiating a new audience to the character and his home country, implying a rich culture that stretched far beyond what we saw on the screen. Of course, superhero comics — especially long-running ones — are often more interested in what has already been built than they are in what is new, trading on our nostalgia for familiar events and characters in a way that a single film obviously can’t. There’s certainly a case to be made for honoring the storied history of any character in that way, though the approach may be at odds with appealing to newcomers (who may have been brought in by, say, a widely popular movie), all of which puts Black Panther Annual 1 in a difficult position. Is it aimed at newcomers looking for an approachable entry into comics after seeing the movie, or is it aimed at long-time readers who are already duly familiar with the character’s history? Continue reading