Today, Shelby and Taylor are discussing Justice League Dark 15, originally released January 2nd, 2013.
Shelby: Science and magic. In the broadest of terms, they are the two sources of meta-humans’ powers in the DCU. Superman? He’s an alien being powered up by the particular wavelength of light from our sun: that’s science. Wonder Woman? She’s a demi-god, pure and simple: that’s magic. Green Lantern? Trick question, it’s will-power harnessed and weaponized: I’m calling it magic refined by science. Lantern Corps aside, there’s usually a pretty clear line between science (far-fetched and ridiculous though it may be) and magic in the comic book universe. Often times the two sides face off, refusing to see that they are kind of two sides of the same coin, but every so often science and magic team up and we get something extra special. Luckily for us, Justice League Dark gives us both options in one action-packed issue. Continue reading →
It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.
Retcon Punch got you covered.
A guy that channels animal powers? Yeah, okay, I can dig it. Didn’t expect to love it. Buddy Baker’s whole family gets drawn into a war between the very forces of life and death. PLUS THERE’S A TALKING CAT. Get all caught up so you can read the Rot World crossover with Swamp Thing.
Today, Shelby and Patrick are discussing Justice League Dark 9-11, originally released May 23rd, June, 27th and July 25th, 2012.
Shelby: We’re doing something a little unusual here with Justice League Dark: we are not reviewing issues 1-8. I’ve read all those issues, and there is really no need to do so. Peter Milligan wrote 1-8, and they are not awesome. The story was all over the place and confusing. Even though we’re dealing with magic, the story still needs to be grounded in some sort of established reality, and this story was not. With issue 9, Jeff Lemire has taken over the writing, and there has been a marked improvement. The arc is completely new, even some of the team members have changed. I call it the “reverse Deathstroke” effect, in that a new creative team has made big changes, but for the better instead of for the worst.