This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Letting go — of grudges, of hatred, of resentment — is one of the hardest things a human being can do. It feels good to nurse a grudge, yet it can feel even better to finally let go — there’s beauty, there’s true catharsis in it. With the incomparable Rod Reis on art, it’s impossible for Hadrian’s Wall 8 not to find the literal beauty in letting go, even as writers Kyle Higgins and Alec Siegel emphasize how truly difficult this action is for their characters. Continue reading →
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Hadrian’s Wall 7, Sex Criminals 19 and Star Wars: Doctor Aphra 7. Also, we’ll be discussing Saga 43 on Tuesday and Kill or Be Killed 9 on Wednesday. As always, this article contains SPOILERS.Continue reading →
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Bitch Planet 10, Hadrian’s Wall 6, Kill Or Be Killed 8, Lumberjanes 37, and X-O Manowar 2. Also, we’re discussing Teenage Mutant Ninja Turtles Universe 9 on Tuesday and Black Monday Murders 5 and Old Guard 3 on Wednesday, so come back for those! As always, this article contains SPOILERS. Continue reading →
Today, Patrick and Mark are discussing Hadrian’s Wall 5, originally released March 29, 2017. As always, this article contains SPOILERS.
Patrick: Simplicity is an illusion. Every relationship that falls apart, every job that is lost, every hope that is abandoned comes at the end of a long, complicated road with no singular culprit. But it’s human nature to try to compartmentalize these things: she left because I cheated; I was fired because I was always late; I don’t have time to pursue my dreams. That’s clean, almost absolving us of our sins of disappointment. Hadrian’s Wall 5 delivers the answer to the series’ central mystery to this point, only to pivot from solution to inevitably more-complicated problem, insisting on the non-simplicity of this narrative. That dovetails nicely with Simon’s own memories of his failed relationship with Annabelle, which failed not through a singular action, but because these people were incompatible. Kyle Higgins, Alec Siegel and Rod Reis’ story of murder-in-space refuses to be anywhere near as simple as the first four issues would have you believe. Continue reading →
Today, Spencer and Ryan D. are discussing Hadrian’s Wall 2, originally released October 19th, 2016. As always, this article contains SPOILERS.
Spencer: When discussing the first issue of Hadrian’s Wall, we were pleased to report that the series was more about the fallout of Simon and Annabelle’s former relationship than about sci-fi tropes, or even the actual murder mystery. With Simon’s very specific scenario now thoroughly established, though, Kyle Higgins, Alec Siegel, and Rod Reis are free to use issue two to dive more into the mystery, and specifically, into introducing the list of suspects. Even in the middle of all this very necessary groundwork, though, the creative team never loses sight of Simon, his past, or what makes him tick. Continue reading →
Today, Patrick and Michael are discussing Hadrian’s Wall 1, originally released September 14th, 2016. As always, this article contains SPOILERS.
Patrick: When you look at the landscape of genre fiction, you could be forgiven for thinking that there’s an unforgivably small number of genres that modern storytellers deal in. Fantasy, mystery, science fiction, horror, superhero, spy, crime, romance, adventure – it sounds like an exhausting list, but it’s frustrating to consider just how many stories end up regurgitating the tropes and story beats of a dozen proto-stories. Kyle Higgins, Alec Siegel and Rod Reis’ Hardian’s Wall1 struggles with its own genres — a murder mystery set on a space ship in the future — before revealing that their protagonist has a much more nuanced, much less plug-and-play story to tell. There is no genre called “living in the world with your ex fiction” (as far as I can tell), so the fallout of Simon and Annabelle’s relationship plays out among the stars. Continue reading →