Historicizing the Present in Harbinger Wars II 4

by Drew Baumgartner

Harbinger Wars 2 4

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

All those innocent contractors hired to do the job were killed! Casualties of a war they had nothing to do with. All right, look, you’re a roofer, and some juicy government contract comes your way; you got the wife and kids and the two-story in suburbia — this is a government contract, which means all sorts of benefits. All of a sudden these left-wing militants blast you with lasers and wipe out everyone within a three-mile radius. You didn’t ask for that. You have no personal politics. You’re just trying to scrape out a living.

Randal, Clerks

Violence is never a good look. Self-defense may justify it in some cases, but any innocents caught in the crossfire tar even the most noble motives. It turns heroes into villains and obscures the line between good and evil. I’ve had the luxury of thinking of this as a hypothetical question for most of my life, the kind of moral quandry characters might be confronted with in comics, but not exactly an active concern in my day to day life. But in a country facing the rise of white-supremacists, I can’t tell you how many think pieces I’ve read in the past two years debating the morality of punching nazis. More broadly, the questions are about when violence is justifiable, and how much collateral damage we’re willing to accept of said violence. These are exactly the questions everyone is weighing in Harbinger Wars 2 4, though they’re far from the only “ripped from the headlines” commentary in the issue, which paints a startlingly nuanced portrait of our times. Continue reading

Heightening the Conflict in Harbinger Wars II 2

by Drew Baumgartner

Harbinger Wars 2 2

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

What is the collective noun for superheroes? An immodesty of superheroes, perhaps? A bluster, a cluster bomb, a swank? Somebody ought to settle the issue soon, if we’re going to be showered with films like “Avengers: Infinity War.”

Anthony Lane in The New Yorker

That quote comes from my least favorite culture review in recent memory. I’ve heard enough variations of “superheroes are dumb” over the years to keep my eyes rolling all the way to Anthony Lane’s door, but what’s particularly frustrating about his review is that it never bothers to support his dismissive attitude. It’s not a critique so much as a list of characters and events in the movie and the smug assumption that we all agree that that list is too long. To be clear, I think there is plenty to critique about that movie, not the least of which that it almost certainly would ring as paradoxically overstuffed and hollow without at least some familiarity with these characters — if we’re not already invested in Tony Stark’s worst fears or Thor’s grief or Doctor Strange’s sense of duty, they’ll read as pretty thin in the movie. Like most summer crossover events, Infinity War is mostly plot machinations, cashing in on the character work developed in its respective solo series. Such is definitely the case with Harbinger Wars II 2, which heightens the drama of the impending battle, but does relatively little to draw me into that drama. Continue reading

Harbinger Wars 2 1: Discussion

by Patrick Ehlers and Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: Let’s run a hypothetical scenario: you’ve got access to a shared universe, full of superpowered characters, all of whom you’d classify as either heroes or antiheroes. You want to pit them against each other, in a… I don’t want to call it a “Civil War” for litigious Disney-related reasons… we’ll say it’s a “Harbinger War.” How do you establish sides? Pick an ideological divide and let it split up your character base, right? That’s a fun, toothless way to pit all your favorites against each other! With Harbinger Wars 2, writer Matt Kindt is crafting a more direct criticism of structures of power, casting the dutiful soldiers and company-men as stooges. It’s a clash of superheroes with the courage to say “hey, some of these guys are wrong.” Continue reading

X-O Manowar 3

Today, Michael and Drew are discussing X-O Manowar 3, originally released May 24th, 2017. As always, this article contains SPOILERS.

Michael: The inner monologue isn’t a narrative device exclusive to comic books, but it’s one that we don’t raise an eyebrow to in the comics’ medium. It’s a form of narration that gives insight into the protagonist’s thoughts — insight that they themselves might not admit to out loud. X-O Manowar 3 doesn’t use the inner monologue device outright, but thematically relies on it to show us a hidden layer of its protagonist Aric. Continue reading

Weekly Round-Up: Comics Released 4/26/17

Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Bitch Planet 10, Hadrian’s Wall 6, Kill Or Be Killed 8, Lumberjanes 37, and X-O Manowar 2. Also, we’re discussing Teenage Mutant Ninja Turtles Universe 9 on Tuesday and Black Monday Murders 5 and Old Guard 3 on Wednesday, so come back for those! As always, this article contains SPOILERS.
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X-O Manowar 1

Today, Michael and Drew are discussing X-O Manowar 1, originally released March 22nd, 2017. As always, this article contains SPOILERS.

Michael: One of the initial stages of Joseph Campbell’s eternal concept “The Hero’s Journey” is what is known as “Refusal of the Call.” The hero receives the “Call to Adventure” in the form of some inciting incident or another, but initially tries to ignore the call and continue to live a mundane or ordinary life. When push comes to shove, the hero will end up changing their mind and embark on their heroic journey. It’s a tried and true formula that extends all the way to the planet Gorin in X-O Manowar 1. Continue reading

Batman and Robin 14

Today, Patrick and Drew are discussing Batman and Robin 14, originally released November 14th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Patrick: A few summers ago, Drew and I went to a screening of Rise of the Dead at the Winnetka theatre in the suburbs of Chicago. The event was hosted by Dan Tefler — a comedian who had stumbled upon the movie earlier that year with his wife. Tefler invited the film’s director, Will Wedig, and the AV Club’s Keith Phipps to talk about the extreme disappointment that Tefler experienced on his first viewing. Rise of the Dead sounds like it’s going to be a zombie movie, right? It’s advertised that way, and it has all the trappings thereof. But it’s really about the ghost of an aborted baby possessing bitches. When pressed, Wedig simply offered that he hadn’t set out to make a zombie movie, and Tefler very graciously owned his disappointment. Last month, Batman and Robin started to show us a sorta-zombie story, and I’m going to place the onus of my disappointment in the hands of the books creators.

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Batman and Robin 13

Today, Drew and Shelby are discussing Batman and Robin 12, originally released October 10th 2012.

Drew: Peter Tomasi has a pretty thankless job. Titles like Batman and Robin and Green Lantern Corps often take a back seat to their flagship counterparts — both in popularity, and narrative. Those kind of supporting titles are often bound to crossover events, requiring their writers to absorb, implement, and embrace plot developments they didn’t come up with themselves, and which may be disruptive to their own plans. In the collaborative, editor-driven world of comics, following such dicta is par for the course, but Tomasi has found himself particularly bound by crossovers, as Death of the Family kicks off the third he’s been involved in since the relaunch. It’s a testament to Tomasi’s skill, then, that he’s able to incorporate details of Death of the Family so elegantly into this issue, while still finding the emotional through-line that has made is work on Batman and Robin so enjoyable. Continue reading

Earth-2 0

Today, Peter and Patrick are discussing Earth-2 0, originally released September 5, 2012. Earth-2 0 is part of the line-wide Zero Month.

Peter: The Second Wave was an interesting move on DC’s part: start handful of series half way through the publishing year. So, many of them launched right in to full-blown stories. The Zero Issues have allowed them some breathing room. Specifically the Earth-2 Zero Issue has allowed James Robinson to flesh out some history before the chaotic and destructive #1 and introduce a new character rooted in the history of Earth-2, and his fate is still uncertain.

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