Category Vertigo

Jan 3 2014

Fables 136

fables 136

Today, Patrick and Drew are discussing Fables 136, originally released December 31st, 2013.

Patrick: I worked as a Residence Hall Director the year after I graduated from college. For me, the worst part of doing this job in a professional capacity was having to artificially take on a role that did suit me. I always believe that a Res Life staffer is only as good as they are authentic — college students have incredible bullshit detectors. A few weeks a month, I’d be in possession of the Duty Phone, which meant that I was going to have to act as back-up to campus security and bust parties at a moments’ notice. I used to hate it, and I’d stress out about my time with that damn phone all month. But as soon as the phone was in my hands, I took the duty seriously. It was the role I had to play at that time. As Rose Red’s new Camelot starts to take shape, the subject of roles comes up and makes everyone suitably uncomfortable. Continue reading →

Jan 2 2014

Dead Boy Detectives 1

dead boy detectives 1

Today, Patrick and Shelby are discussing the Dead Boy Detectives 1, originally released December 30th, 2013.

Patrick: The first issue of Dead Boy Detectives revolves around a young girl named Crystal Palace and a near-death experience that brings her — however temporarily — face to face with our titular detectives. The issue is pretty neatly divided into periods before and after the experience. The before-portion is an odd little mediation on art and artists and the relationship between the two, and that’s naturally what interests me most in this issue, so let’s pick that apart! Continue reading →

Dec 31 2013

Best of 2013: Best Series

Best of 2013: Best Series

We all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. We were lucky to read a lot of great series over the past year, but it’s those that pushed the boundaries that we wanted to sing special praises of. These are our top 13 series of 2013.
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Dec 16 2013

Astro City 7

astro city 7

Today, Greg and Shelby are discussing Astro City 7, originally released December 11th, 2013.

Greg: Beyoncé.

I’d like to end my survey of Kurt Busiek’s Astro City 7 right there, as all things should begin and end with Ms. Knowles, but we have word counts to hit, so let’s keep going.

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Dec 5 2013

Trillium 5

trillium 5

Today, Shelby and Patrick are discussing Trillium 5, originally released December 4th, 2013. Shelby: Like all the issues of Trillium before it, this one has a trick to it. Again, like we’ve seen before, there’s a separation between Nika’s story and William’s; Nika’s story runs along the top half of the page, with a note to “…read upper section of report first.” At the end of the issue, you flip the book upside down, and read back along the bottom to get William’s story. Nika’s end is his beginning, his beginning her end. That in and of itself is beautiful, but being the stubborn fool that I am, I read the whole thing straight through first, flipping the book over and over. Between my correct and incorrect readings of Jeff Lemire’s sci fi/apocalypse/time travel/romance, a beautifully balanced set of parallel stories emerged.
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Nov 26 2013

The Wake 5

wake 5

Today, Shelby and Patrick are discussing The Wake 5, originally released November 20th, 2013.

Shelby: I love being surprised by a story. There’s the smug satisfaction of thinking you’ve figured it all out, followed by the shock of things playing out completely differently. If the storytelling is good, you don’t even care that you were wrong; it’s like the ground just opened up beneath you and you find yourself dropped into a totally different story. These last five issues of The Wake have given us a sci fi, underwater horror tale as Lee Archer fights horrifying mer-monsters at the bottom of the ocean. We’ve gotten glimpses at a much bigger picture, but the bulk of the story has taken place on the ghost rig. At the end of the book, Scott Snyder tells us that was all setup, that now the real story starts, and shit is gonna get crazy. That’s a paraphrase, mind you: Scott Snyder is far more eloquent in his delivery.

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Nov 22 2013

Zero 3

zero 3

Today, Taylor and Scott are discussing Zero 3, originally released November 20th, 2013.

Taylor: Tell you what, reading a Cormac McCarthy novel is a chore. This is by no means a criticism, merely an observation. I think anyone who has read any book by McCarthy would agree with me – the guy writes some pretty bleak stuff. Despite that, his writing is some of the most important to grace the written page in the past fifty years. He’s a master at his craft and his style and voice are so unique that one could argue they have become iconic. Still, reading the likes of Blood Meridian or The Road is far from a pleasant way to pass the time. These books are beautiful in their own way, but they are equally violent and incredibly depressing. Given this, it seems fitting that the afterward of Zero 3 quotes a passage from Blood Meridian. Like McCarthy’s work, Zero is bloody and disturbing, but also like McCarthy’s work it is thought provoking and occasionally beautiful.

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Nov 21 2013

100 Bullets: Brother Lono 6

Alternating Currents: Brother Lono 6, Drew and PatrickToday, Drew and Patrick are discussing 100 Bullets: Brother Lono 6, originally released November 20th, 2013.

If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off.

-Anton Chekhov

Drew: Chekhov’s gun is one of my favorite writing principles — it insists that writing be as efficient and purposeful as possible — but as a reader, I often find myself wishing I had never heard of it. When writing, Chekhov’s gun is helpfully prescriptive; when reading, it is frustratingly descriptive. Suddenly every gun introduced is a time bomb — there’s no question of if it will go off, but when. That dovetails beautifully with Hitchcock’s famous explanation of surprise vs. suspense (effectively, that surprise is when a bomb goes off at the end of a scene, while suspense is watching that same scene knowing the whole time that the bomb is there), suggesting that each new element must hold our suspense until it comes to bear on the narrative. Of course, we know that this is rarely the case in practice — few writers can sustain that level of dread for such a sustained period — which is why Brother Lono has been such a fascinating study in suspense. Writer Brian Azzarello took great care in introducing his gun, reminding us that it is cleaned and ready to fire, and waiting until issue 6 to finally use it. Continue reading →

Nov 20 2013

Astro City 6

astro city 6

Today, Greg and Patrick are discussing Astro City 6, originally released November 13th, 2013.

Greg: I’ve always struggled with the idea of enjoying the quiet comfort of what I know versus plowing through the loud struggle of what I don’t. I feel like I vacillate erratically between these two extremes, never quite finding a balance. I’m either saying yes to everything or nothing. I’m either a bounding explorer or a feeble couch potato. The choices that lead to these kinds of feelings fascinate me, and Kurt Busiek’s latest Astro City entry takes a character to this crossroad; his choice is something unexpected. 
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Nov 11 2013

Trillium 4

trillium 4

Today, Shelby and Greg are discussing Trillium 4, originally released November 6th, 2013. Shelby: There are a lot of things happening in Jeff Lemire’s Trillium. The end of the human race, some sort of super-virus, travel through both time and space, and aliens. With all the science fiction action unfolding, it can be easy to forget this story is, at its heart, a love story. The mysterious temples and potential end of the human race suck me into the story, but the relationship building (Or possibly already built? It’s unclear.) between Nika and William is what sets the hook in my heart and keeps me coming back.
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