This article containsSPOILERS. If you haven’t read the issue yet, proceed at your own risk!
You Are Deadpool isn’t the first attempt to turn a comic book into a “Choose Your Own Adventure” story, but that doesn’t make it any less impressive. Not only is Deadpool — the irreverent, fourth-wall crashing, meta-joke of a character — a perfect choice to star in this kind of story, but creators Al Ewing and Salva Espin find inventive, intuitive ways to not only put readers into Deadpool’s shoes, but to make their choices, skills, and even luck truly have an effect on their adventure. Continue reading →
Secret Wars is a mammoth event — Marvel has populated an entire Battleworld with Wolverines, Captains America and Spider-Men. There’s a lot in here that’s worth reading, but we don’t always have the time to dig deep into all of them. The solution? A quick survey of what we’re reading. Today, we’re discussing A-Force 4, Civil War 4, Red Skull 3, Giant-Sized Little Marvel AvX 4, Mrs. Deadpool and the Howling Commandos 4, Planet Hulk 5 and Siege 3.
Today, Spencer and Michael are discussing Mrs. Deadpool and the Howling Commandos 2, originally released July 8th, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, click here.
Spencer: One of my best friends and I quite often find ourselves arguing about how “realistic” a story should be. He loves stories that could take place in our “real” world, while they sometimes rub me the wrong way. Don’t get me wrong, there’s quite a few stories that benefit from a sense of gritty realism (The Black Hoodis an excellent, recent example), but I resent the idea that all stories need to be realistic. Our world is quite often an awful place, and fiction is my way of escaping it — I get a lot of joy out of stories that can break the restrictive rules of our reality. Gerry Duggan and Salva Espin’s Mrs. Deadpool and the Howling Commandos 2 is just such a story, one which takes great pleasure in transcending the limits of both reality and traditional narrative structures. It’s a hoot. Continue reading →
Today, Taylor and Drew are discussing Deadpool 45, originally released April 8th, 2015.
Taylor: At the risk of sounding trite, a funeral is an event where people come together to celebrate the life of someone who has passed on. Even though most funerals are more somber than celebratory, the very nature of the event is to recognize someone who has died and to give those who remain closure. The much heralded Deadpool 45 is the issue where Deadpool dies and in many ways it acts like a funeral for Deadpool, even before the man himself has died. It offers closure to those who have read the series the past couple years and also reminds us just how much we ware going to miss the Merc With the Mouth, even if we know he won’t be gone for long. Continue reading →
Today, Taylor and Drew are discussing Deadpool 41, originally released January 28th, 2015.
Taylor: When someone mentions Deadpool to you, what’s the first word that comes to mind? Is it lunatic? Madman? Goof-off? Ask a fan to describe the titular character of the most recent run of Deadpool and you might get some of these same answers, but a few might throw in descriptors such as melancholy, complex, and heartwarming asshole. Wade Wilson is many things, and depending on how you read the series, he could be any of the things listed above. However, even though we’ve known Wade for a long time now, can any of us really say we know him? Taking into consideration that the man hardly knows himself, this question becomes even more confounding. Continue reading →