The Flash 17

Alternating Currents: The Flash 18, Drew and Pivitor

Today, Drew and guest writer Pivitor are discussing the Flash 17, originally released February 27th, 2013.

Drew: “Move forward” are the words the Flash lives by — both the man and the title. We’ve seen both accept rather profound changes, from the newfound abilities of the Rogues to his own death, rolling with the punches where most superheroes (and their series) might work to return things to their status quo. At the same time, writers Brian Buccellato and Francis Manapul are ever committed to their own continuity, recalling and building upon details first mentioned months earlier. The fact that those elements don’t come into play until long after they are introduced gives the series a propulsive sense of forward motion, allowing it to build incrementally. Thus, issue 17 can resolve plot elements first established in issue 6, as the Rogues, Gorillas, and the victims lost in the Speed Force finally get their due. Continue reading

The Flash 16

flash 16

Today, Patrick and Scott are discussing the Flash 16, originally released January 30th, 2013.

Patrick: We expect our heroes to bravely sacrifice themselves for the greater good. If we’re blessed with complex characters, we can even expect this of our anti-heroes. But what about our ancillary characters? With the smoke-screen of a superheroic battle for the fate of city, real-world sacrifices tend to go unnoticed. Francis Manapul and Brian Buccellato deliver plenty of that bombastic hero action, but bury under it the sad, frustrated story of Iris West.  Continue reading

Supergirl 16

Alternating Currents: Supergirl 16, Drew and MogoToday, Drew and guest writer Mogo are discussing Supergirl 16, originally released January 23rd, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Drew: Supergirl really drew the short straw on this crossover event. She very quickly aligned herself with a villainous cipher whose motives and methods have yet to be fully explained, which makes her gullible at best, downright stupid at worst — traits we generally don’t associate with heroic figures. We could excuse some of this based on her desire to return to Krypton, but each moment she spends with H’el without asking for just a little more information strains credulity that much further. Supergirl 16 does well, then, to give Kara time away from H’el, reasserting that this character — and this series — might just have some agency after all. Continue reading

The Flash 15

flash 15

Today, Patrick and Mikyzptlk are discussing the Flash 15, originally released January 2nd, 2013.

Patrick: Whenever a writer keeps up several narrative threads at one time, one of us will say that he or she is “spinning a lot of plates.” It’s an odd metaphor. I mean — “juggling” works just as well to express the same thing and it’s a much more common activity. My friend Pete Pfarr had a KLUTZ book that taught him how to juggle, but there sure as shit wasn’t any KLUTZ book to teach him plate spinning. So what makes that turn-of-phrase so useful in describing the storytelling in The Flash 15? Possibly because we get the sense that the stories continue (the plates continue to spin) even when we’re not watching them. But I think the real reason we use the metaphor — and the only reason we’d want to see someone spinning plates (because: boring, amirite?) — is because we can’t wait to see what happens when too many plates are spinning and they all come crashing down. Boldly, Francis Manapul and Brian Buccellato give us just that. Continue reading

The Flash 14

Alternating Currents: Flash 14, Drew and ScottToday, Drew and Scott are discussing the Flash 14, originally released November 28th, 2012.

Drew: I’ve always seen postmodernism as inevitable. As someone who likes art, consuming art about art just makes sense to me. It’s quite easy to take commentary too far — forcing the art to far up its own ass to really be relatable — and while I have a special place in my heart for stories that do that, it’s much more satisfying when they can support a compelling narrative, as well. Brian Buccellato and Francis Manapul nail that type of just-right meta-text time and time again, as Barry grapples with his relationship to his own identity, history, and even time itself. Their pacing and narrative style have remained fluid enough to accommodate all of these ideas, tying them back to Barry’s own experience of the world. Issue 14 continues the recent trend of expanding the scope beyond Barry’s subjectivity, revealing a rewarding complexity to the world he lives in. Continue reading

The Flash 13

Alternating Currents: Flash 13, Drew and PatrickToday, Drew and Patrick are discussing the Flash 13, originally released October 24th, 2012.

Drew: I like The Flash. It’s a crisp, fun, dense comic, full of endearing characters and incredible art. Reading it over the past year has been an extremely rewarding experience as a fan of comics. I also like liking The Flash. The fan community around this title, from commenters to bloggers to the creators themselves have been as open and inviting as anywhere in comics. Writers Francis Manapul and Brian Buccellato have been incredibly approachable, and willing to discuss all of the things that make me love this title so much. In many ways, liking this title has been as rewarding as reading this title, thanks to all the wonderful discussions we’ve had about it. For that reason, issues that fail to meet my (admittedly high) expectations for this title are especially disappointing, to such a degree that I lose any objective sense of how good the issue actually is; is it the issue, or is it me? Let that be the grain of salt you take when I say that The Flash 13 is one of those issues.

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The Flash 0

Today,  Patrick and Drew are discussing The Flash 0, originally released September 26, 2012. The Flash 0 is part of the line-wide Zero Month.

Patrick: This issue is essentially the two discrete pieces of Barry Allen origin story that you might already be familiar with. DISCRETE PORTION A: Barry’s mother was murdered when he was a child. His father was arrested for the crime and Barry became a forensic scientist in the hope of catching the real killer and clearing his father’s name. DISCRETE PORTION B: Barry is struck with lightning and doused with chemicals, transforming him into the Fastest Man Alive. Previously, Geoff Johns’ The Flash: Rebirth attempted to dovetail these discrete story points mythologically — and that’s the best tool in his tool box, so I can’t fault him for using it. Francis Manapul and Brian Buccellato, revisit these moments and connect them emotionally. It is a story at once more sensible, more compact and more powerful. Continue reading

The Flash Annual 1

Alternating Currents: Flash Annual, Patrick and DrewToday, Drew and Patrick are discussing the Flash Annual 1, originally released August 29th, 2012.

Drew: When I interviewed Francis Manapul back in April, he expressed that he reveled at the unique expectations mandated by the New 52. Specifically, he expressed that “the best thing about knowing what people are expecting is when I change something, it seems shocking.” Subverting expectations is such a simple concept — and one so central to genre fiction in general — that you’d think it would start to lose its spark; but then again, with Manapul and Brian Buccellato on writing duties, nothing ever is that simple.

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The Flash 12

Alternating Currents: Flash 12, Drew and Patrick

Today, Patrick and Drew are discussing the Flash 12, originally released August 22nd, 2012.

Patrick: Bad guys don’t make for the best teams.  Hell, superheroes seldom make functional teams. 90% of team stories center around just how hard it is to put individual egos on hold and actually work as a team. Sometimes the group gels to confront a common, insurmountable enemy; sometimes they’re extorted into working together; and sometimes they seem to be the only people in the whole universe going through the same trials. But bad guys only get together for one reason: take down the hero. Right? Well, The Flash #12 has something to say about that. Continue reading

The Flash 11

Today, Patrick and Drew are discussing the Flash 11, originally released July 25th, 2012.

Patrick:  Flash 11 (and 10, for that matter) is a bit of a place-setting issue. Francis Manapul and Brian Buccaletto are smart enough to fill these issues with self-contained stories, but it’s becoming increasingly clear that this series is currently in the business of establishing a new breed of Rogues. And they’re not just new to the audience, they’re new to the world of the Flash and — more distressing — new to each other. Thankfully, this is done without the slightest hint of an origin story: these bigger, better Rogues have a history together that’s half what-you-already-know-about-The-Rogues and half total mystery. And all of this villain business unfolds gracefully without ever losing sight of Barry Allen. Continue reading