Patrick: I likes me a good anti-hero. There’s nothing quite like cheering for a character’s success and failure at the same time. Let’s take Walter White as a perfect example of this in modern fiction. He is a terrible husband and father, and an even worse friend, who makes dangerous decisions in the name of greed, power and desperation. And yet, I cheer every single one of his personal victories, no matter how immoral they might be. So much of Breaking Bad is about that character finding a way to feel powerful in the face of illness and poverty, and about how that need to feel powerful never goes away. The ride is exhilarating because there’s nothing more satisfying than a character with agency. Say what you will about Walter White — he has goals and he takes the steps necessary to achieve those goals. Supergirl has no such agency. She spends the majority of issue 17, fighting Wonder Woman just because, and then stops fighting her for equally arbitrary reasons. Neither a hero, nor an anti-hero, Supergirl ends up the clueless victim of her own series.
Drew: Supergirl really drew the short straw on this crossover event. She very quickly aligned herself with a villainous cipher whose motives and methods have yet to be fully explained, which makes her gullible at best, downright stupid at worst — traits we generally don’t associate with heroic figures. We could excuse some of this based on her desire to return to Krypton, but each moment she spends with H’el without asking for just a little more information strains credulity that much further. Supergirl 16 does well, then, to give Kara time away from H’el, reasserting that this character — and this series — might just have some agency after all. Continue reading →
Drew: Ironically, I’m kind of a sucker for stories about con men. I like movies like Matchstick Men and Catch Me if You Can more than they probably deserve, and the scams from LOST and Justice League Dark might be my favorite parts of those series. With so many compelling, relatable con artists running around fiction, it’s easy for me to forget that they’re generally bad guys. It’s somewhat understandable that they aren’t depicted negatively more often; we like to think that we’re smart, and that the protagonists we identify with are also smart, so it’s a risky move to depict a hero being taken in by a scam. Mike Johnson attempts that risky move in Supergirl 15, with decidedly mixed results.
Drew: For being a site run by DC fanboys (and girls), we’re not great about covering Superman’s corner of the DC universe. In fact, aside from a few annuals and zero month, we’ve barely covered any titles anchored by DC’s oldest superhero. There’s plenty to not like about the way DC has handled Supes in the New 52, but our two biggest problems hinge around the increasingly strained explanations to superpower villains and the often lazy assumption that Krypton is automatically interesting. With Supergirl 14, the H’el on Earth crossover seems poised to give us an emotionally satisfying exploration of both of those ideas, which could serve as an important turning point for the Superman family.