This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Do you feel that disconnect between what you love and what you have to do? Of course you do. Human beings tend to have pretty good bullshit-detectors, and we usually know when someone is selling us something. The problem is we don’t always reject false forms of happiness. That’s the real disconnect. We can recognize the flashing lights as hollow spectacle and still opt in. Lazarus 28 shows us both the meaningful and the superficial connections to the world Jonah lives in, and the damage exacted on one by the other. It’s a harrowing issue, and creators Greg Rucka and Michael Lark place sex and family at the very center of this dichotomy between meaning and meaninglessness. Continue reading →
Today, Drew and Patrick are discussing Lazarus 14, originally released February 18th, 2015.
…poetry is a short story missing 99 percent of the words.
Drew: I really wish I had the rest of the above quote, made by Rucka at the New York Comic Con in 2013, but to paraphrase, Rucka was suggesting that an intimate understanding of the form of short stories would prepare writers for every kind of writing except poetry. I’ve always seen a resemblance between Rucka’s taut comic work and great short stories, but what truly struck me about that quote was how it seemed to contradict the oft-quoted axiom that the required efficiency of short stories aligns them more closely with poetry than novels. This seeming contradiction may boil down to the inadequacy of our definition of “poetry”, but I couldn’t help but think of this quote as I read Lazarus 15, one of the most poetic comics I’ve ever read. Continue reading →
Today, Spencer and Drew are discussing Lazarus 14, originally released January 14th, 2015.
Spencer: It takes more than blood to make a family. I have great aunts and uncles I barely know, a few cousins I’ve never even met — they may be my relatives, but as far as I’m concerned, they’re not my family. No, family is forged in many different ways, but almost all of them involve either large quantities of time spent together or a unique shared understanding of life. Forever has never received either of these things from the rest of the Carlyles, which makes it all the more strange that her first real familial connection amongst them is made with Jonah, the brother who tried to kill her. Yet, that’s exactly what happens in Greg Rucka and Michael Lark’s Lazarus 14, and the consequences of their newfound connection looks like it will only make Forever’s life even tougher in the future. Continue reading →
Today, Drew and Ryan are discussing Lazarus 12, originally released October 22nd, 2014.
‘Inspire a generation’ is our motto. Not necessarily ‘Create a generation’ … which is what they sometimes get up to in the Olympic village.
London Mayor Boris Johnson on the 2012 Olympics
Drew: The bacchanalian nature of the Olympic village is well-documented, with anecdotes about the athletes’ exploits reaching near-legendary status, but even without all of the stories, the orgiastic qualities of the village should come as no surprise — what else would you expect of an international group of twenty-somethings in peak physical condition with little else to do? Throw in the fact that any given day, somebody is celebrating the most important win of their lives, and you have an obvious recipe for partying. Curiously, this is exactly the situation the Lazari find themselves in in Lazarus 12. With their families preoccupied with the formalities and strategies of the conclave, the Lazari are left with little to do other than admire each other’s super-human bodies. The result is a decidedly lighter — and alluring — respite amidst all of the tension of the conclave. Continue reading →
Today, Drew and Patrick are discussing Lazarus 11, originally released September 10th, 2014.
Drew: There’s a scene late in Lazarus 11 that finds Malcolm Carlyle dictating a message for Forever to deliver. We’ve seen Forever take on the role of messenger/negotiator before, but what’s remarkable here is how open Malcolm is about his means of manipulation. He’s considered every action and reaction that will happen as Forever carries out his orders, and is able to maintain exacting control in spite of being thousands of miles from the actual negotiations. It’s an unsettling display of raw power, but also opens the possibility that Malcolm is himself being manipulated — it would only take a mind equal to Malcolm’s to have anticipated all of his actions here. With all of this subterfuge, it’s easy to see why Forever might question if she’s getting the whole truth from her father about her parentage. Continue reading →