This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
People see what they want to see. It’s a fact that’s fundamental to our perception of the world, but also the thing that prevents us from agreeing on anything. Rorschach tests represent the most fundamental expression of this notion, asking subjects to project their own meaning onto meaningless inkblots, but it’s something we see every day, from our simplest hopes and fears to the way we evaluate political candidates. That’s not to say there aren’t objective truths, just that, individually, we’re terrible at recognizing (and respecting) them, so their existence is almost incidental to our attitudes about the world. This is enervating enough when discussing climate change or which way toilet paper rolls should be oriented, but becomes all the more heartbreaking when the debate questions your very humanity, as it does for Joacquim Morray in Lazarus X+66 2. Continue reading →
Today, Drew and Spencer are discussing Lazarus 26, originally released March 29th, 2017. As always, this article contains SPOILERS.
Drew: Goodness gracious, is this series great. I tried approaching this intro about seven different ways, but the only way to really do justice to this issue is to start off by acknowledging just how precise writer Greg Rucka and artist Michael Lark are in what they do. There’s so much going on in this issue that showcases exactly why this series continues to be one of my favorites, but I’m going to focus on the introduction of Vassalovka’s lazarus, the Zmey — an unexpected grenade of a threat that utterly disrupts the slow-burning family drama at the heart of this series. Continue reading →
Today, Drew and Patrick are discussing Lazarus 16, originally released April 22nd, 2015.
Drew: My first experience with an epistolary novel was Karen Cushman’s Catherine, Called Birdy, presented as the diary of the titular character. It seemed like such a novel concept to me (no pun intended), but the epistolary novel actually predates the modern novel by over 100 years. It makes sense that the documentary-style of the epistolary novel as a collection of letters and diary entries might be more approachable than the entirely artificial convention of having a character (or third person narrator) telling the story to us. While Lazarus has often stayed close to Forever’s perspective, it’s never committed to any one narrator, which makes issue 16 all the more unusual, presented largely as the diary entries, transmissions, conversation transcripts, and training materials of Sister Bernard, punctuated with only a few short instances of dialogue. Continue reading →
Today, Drew and Patrick are discussing Lazarus 14, originally released February 18th, 2015.
…poetry is a short story missing 99 percent of the words.
Drew: I really wish I had the rest of the above quote, made by Rucka at the New York Comic Con in 2013, but to paraphrase, Rucka was suggesting that an intimate understanding of the form of short stories would prepare writers for every kind of writing except poetry. I’ve always seen a resemblance between Rucka’s taut comic work and great short stories, but what truly struck me about that quote was how it seemed to contradict the oft-quoted axiom that the required efficiency of short stories aligns them more closely with poetry than novels. This seeming contradiction may boil down to the inadequacy of our definition of “poetry”, but I couldn’t help but think of this quote as I read Lazarus 15, one of the most poetic comics I’ve ever read. Continue reading →
Today, Spencer and Drew are discussing Lazarus 14, originally released January 14th, 2015.
Spencer: It takes more than blood to make a family. I have great aunts and uncles I barely know, a few cousins I’ve never even met — they may be my relatives, but as far as I’m concerned, they’re not my family. No, family is forged in many different ways, but almost all of them involve either large quantities of time spent together or a unique shared understanding of life. Forever has never received either of these things from the rest of the Carlyles, which makes it all the more strange that her first real familial connection amongst them is made with Jonah, the brother who tried to kill her. Yet, that’s exactly what happens in Greg Rucka and Michael Lark’s Lazarus 14, and the consequences of their newfound connection looks like it will only make Forever’s life even tougher in the future. Continue reading →
Today, Drew and Ryan are discussing Lazarus 12, originally released October 22nd, 2014.
‘Inspire a generation’ is our motto. Not necessarily ‘Create a generation’ … which is what they sometimes get up to in the Olympic village.
London Mayor Boris Johnson on the 2012 Olympics
Drew: The bacchanalian nature of the Olympic village is well-documented, with anecdotes about the athletes’ exploits reaching near-legendary status, but even without all of the stories, the orgiastic qualities of the village should come as no surprise — what else would you expect of an international group of twenty-somethings in peak physical condition with little else to do? Throw in the fact that any given day, somebody is celebrating the most important win of their lives, and you have an obvious recipe for partying. Curiously, this is exactly the situation the Lazari find themselves in in Lazarus 12. With their families preoccupied with the formalities and strategies of the conclave, the Lazari are left with little to do other than admire each other’s super-human bodies. The result is a decidedly lighter — and alluring — respite amidst all of the tension of the conclave. Continue reading →
Today, Shelby and Drew are discussing Lazarus 5, originally released December 11th, 2013.
Shelby: With family dramas like Lazarus, it seems to always come down to loyalty. With family, a certain amount of loyalty is assumed; they’re your family, you have to be loyal to that. Greg Rucka really tests that with the Carlyles; the first issues are rife with schemes and betrayal. Poor Forever is stuck with the task of not only remaining loyal to the back-stabbingest family, but also not really having a choice as the family’s Lazarus. Despite her unwavering facade, there’s that tiny seed of doubt planted by the anonymous message that she’s not actually a part of the family. If blood ties are the driving force behind her loyalty, what’s she to do if those ties don’t even exist? Continue reading →
Today, Drew and Shelby are discussing Lazarus 4, originally released October 2nd, 2013.
Drew: Ah, feudalism. Its simple, incestuous power dynamics make for some fascinating drama. Sure, there can be warring families, but the real dangers are those from within, as family members pit their love for one another against their thirst for power. It completely upends our notions of who we can trust, leaving each member of the ruling class open to betrayal and manipulation. As an effectively immortal killing-machine, Forever Carlyle was always above that kind of base power-grubbing, but Lazarus 4 finds her pulled into the fray with an anonymous tip about her family. Continue reading →