Defeat and Retaliation in Analog 2

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!


Normal Person + Anonymity + Audience = Total Fuckwad

Penny Arcade, 2004

Back in 2004, the Penny Arcade guys were disgusted by the behavior of some people playing Unreal Tournament online, leading to them publishing the strip referenced above. Fourteen years later, and we know better than to ever be shocked by a faceless teenager hiding behind the gamertag “6ftcock” using hate speech in PU:BG. Vile behavior begets other vile behavior, and as long as the bullies never have to meet their victims, that fuckwadery is as make-believe as the game they’re playing. At least, that’s what John Gabriel’s Greater Internet Fuckwad Theory postulates. But what if those hateful impulses, those destructive anti-social tendencies are just part of who we are, with or without the internet? Gerry Duggan and David O’Sullivan’s Analog 2 dutifully moves the series’ plot mechanics forward, while continuing to mine this thematically rich vein. Continue reading


Analog 1: Discussion

By Patrick Ehlers and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: I listen to a lot of Slate’s Trumpcast. Y’know, because the president has me in a nearly constant state of low-key panic, and I feel utterly powerless to stop our democracy from crumbling, so like, might as well listen to a podcast about it. One of the things that comes up on the show pretty often is the idea that we need to let go of the idea that there is one smoking gun that will implicate the administration and the president himself in collusion with the Russian government. There is no evidence so ironclad that it would force impeachment. Further, impeachment and removal from office would not address the systemic problems with corruption, bigotry, and foreign interference. There’s no “one solution” because there is no “one problem.” Gerry Duggan and David O’Sullivan’s Analog 1 takes a very specific speculative high-concept pitch, and gradually reminds the reader of everything else that is intriguing and terrifying about their world — there is no “one problem.” Continue reading