Archie 27: Discussion

by Ryan Mogge and Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ryan M: You can’t always get what you want. It’s a tough lesson, and one my parents tried to impart by singing Rolling Stones off-key to my brother and I throughout childhood. In relationships, defining and declaring wants is only the first step — you need agreement. Archie 27 picks up right where the last issue left off, with Betty and Archie being asked to make a romantic choice by Dilton and Veronica, respectively. Dilton and Veronica have defined their wants, but the power lies with Betty and Archie. Continue reading

Earned Ultimatums in Archie 26

by Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ultimatums are a hallmark of melodrama. They immediately raise the stakes, making the next move carry the weight of future. Usually this is an unfair burden. Since the time that I realized that the relationships on Beverly Hills 90210 weren’t healthy, ultimatums in romance get a healthy dose of side-eye from me. When a person says “do this or we’re done” it’s usually a cop-out or a cheap way to turn a pot-hole into a roadblock. Ultimatums are the cliffhanger of choice in romance, perching a relationship’s entire future on the next moment. Given my skepticism, it’s impressive how much empathy Mark Waid and Audrey Mok are able to elicit from me for Dilton and Veronica at the end of Archie #26. Continue reading

Splitting the World into Pre and Post Tragedy in Archie 21

by Ryan Mogge

Archie 21

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When something awful happens, priorities immediately change. Trivial pursuits are rendered meaningless when real loss is pending. Memories can be categorized as “before” and “after.” In Archie 21, Mark Waid and Pete Woods build toward one such loss by showing several characters in their “before” mode. Continue reading