Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Archie 20, Curse Words 5, Eleanor and the Egret 2, Star Wars: Poe Dameron 15, Wicked + The Divine 455 AD 1, and World Reader 2. Also, we will be discussing Star Wars 31 on Tuesday and Jughead 15 and American Monster 6 on Wednesday, so come back for those! As always, this article contains SPOILERS. Continue reading
Today, Patrick and Taylor are discussing Archie 19, originally released April 19th, 2017. As always, this article contains SPOILERS.
Patrick: I’m not really sure how to classify Jughead as a character. He’s like some kind of invincible, infallible spirit, far enough removed from the drama to not be overwhelmed by it, but still incredibly perceptive. I’d be tempted to call it a narrative cheat, but he stands as a necessary foil to Archie’s aching sincerity. It turns out that Jughead’s sprightly insights can cut through more than just the complicated knots of teenage romance. Archie 19 finds Veronica in need of the same kind of detached, magical advice, but this time to free herself from machinations of her own father. And in so doing, Juggy might just open himself up to feel something of his own. Continue reading
Today, Taylor and Ryan M. are discussing Archie 18, originally released March 15th, 2017. As always, this article contains SPOILERS.
Taylor: There is an art to making conversation. If you deny this then you clearly have never tried to talk to me over the phone. When I attempt a conversation over the ol’ horn I feel like one of those poor dogs forced into booties. It feels unnatural and stilted and it’s not uncommon to endure long, awkward periods of silence. In person I’m better, but still not great, so I’ve come to appreciate those people who can make conversation. My experiences have taught me that talking truly is an art form where flow is supremely important. The same can be said for comics, where conversations and narratives alike need to flow easily. Archie 18 is a lesson on the importance of conversational and narrative flow, just perhaps not in the way it intended.
Today, Patrick and Mikyzptlk are discussing Justice League of America’s Vibe 1-3, originally released February 20th, March 20th, and April 17th, 2013 respectively.
Patrick: Superheroes are legendary. The greats — like Batman and Superman — are name brands both in their own universes and in our own. One of the recurring themes in the New 52 has been heroes grappling with their own relevance in a world so densely populated by superheroes. Aquaman is a great example of this – the character is the subject of near-constant ridicule, all in an effort to make his struggle to be “cool” explicit. Geoff Johns has turned that character around in the last couple years, and even when the storytelling hasn’t been at its best, the idea of Aquaman as a impotent fish-enthusiast has basically disappeared. Johns lends a little bit of that credibility to the first couple issues of the series devoted to DC’s ultimate underdog: Vibe. Continue reading
Today, Mikyzptlk and Patrick are discussing Aquaman 14, originally released November 28th, 2012. This issue is part of the Throne of Atlantis event. Click here for all of our ToA coverage.
Mikyzptlk: There’s been some internal discussion of whether or not the “Throne of Atlantis” storyline should be considered an event. Some of us here have grown tired of DC’s seemingly endless run of events and I can’t really blame them. The comic book “event” is a double edged sword. While they definitely bring attention and increased sales to the books that are involved, they tend to get bloated with needless tie-ins, many of which are written by writers who may not be nearly as talented as the showrunners themselves. The current Batman event “Death of the Family” is a good example of this. Compare some of the “DotF” tie-ins to the main series and you’ll know what I mean. Fortunately for “ToA,” the entire story is being handled by the one and only Geoff Johns, so we shouldn’t have to worry about any bloating. In fact, as it’s only 6 issues (3 in Aquaman and 3 in Justice League) some may consider it more of a crossover than an event. Regardless of that, however, Johns gives us something that feels like a big event, with a prologue that is both foreboding and fairly intense in a mostly quiet way. I think it’s safe to say that I actually enjoyed this issue more than any other so far and it’s gotten me pretty psyched for the “events” to come. Continue reading
Today, Drew and Peter are discussing the Green Lantern Annual, originally released August 29th, 2012. This issue is part of the Rise of the Third Army crossover event. Click here for complete Third Army coverage.
Drew: I have a confession: before the relaunch, I had never read a single comic written by Geoff Johns. Moreover, I had never read a Green Lantern story of any kind. However, all of other Retcon Punchers had read all of Johns’ work on Green Lantern, from Rebirth through Brightest Day, so his titles came with very high praise. It quickly became clear why: he’s unrivaled in developing complex mythologies. His work on Green Lantern has broadened its universe immeasurably, nesting decades of comics history into an elegant mythology that manages to make more sense than it has any business doing. At the same time, his tendency to draw out individual plot points to take up entire issues occasionally tried my patience. The Green Lantern Annual finds Johns at his best, delivering all of the insane mythology and plotting, and doing so at such a breakneck pace to please even the most impatient readers.
Oh, and GOOD GOD are there ever plot points to spoil here, so read the issue first, or proceed with caution.