Relishing Genre in Vampironica 1

by Drew Baumgartner

Vampironica 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Stop me if you’ve heard this one before: a teenage girl battles (slays, if you will) vampires in her suburban hometown. The connections between Vampironica and Buffy the Vampire Slayer are myriad (honestly, if you asked me which takes place in “Sunnydale” and which in “Riverdale,” I’d get it wrong 50% of the time), but clearly intentional. Indeed, writers Meg and Greg Smallwood revel in the Buffy-ness of their opening, introducing Veronica Lodge as a vampire-slaying badass, bringing her own stakes to rescue some typically teen partygoers from some marauding ghouls. But there’s a twist (albeit one that features prominently on the cover and gives this series its name): Veronica is a vampire. Continue reading

Archie 27: Discussion

by Ryan Mogge and Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ryan M: You can’t always get what you want. It’s a tough lesson, and one my parents tried to impart by singing Rolling Stones off-key to my brother and I throughout childhood. In relationships, defining and declaring wants is only the first step — you need agreement. Archie 27 picks up right where the last issue left off, with Betty and Archie being asked to make a romantic choice by Dilton and Veronica, respectively. Dilton and Veronica have defined their wants, but the power lies with Betty and Archie. Continue reading

Stumbling at the Finish Line in Archie 25

by Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

While I loved Sweet Valley High books as a tween, I never put them down satisfied. The reason being that, no matter how juicy the main plot of the book was, how conniving twin Jessica got her comeuppance or “good” twin found herself back in the arms of her longtime boyfriend Todd, the last two pages would introduce a plot that was totally unrelated to provide a transition to the next book. The ending of the A and B plots of Archie 25 aren’t quite that egregious, but Mark Waid and Audrey ask the reader to switch gears from much more compelling stories. Continue reading

Archie 23: Discussion

by Spencer Irwin and Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: One of the few consistencies throughout all iterations of Archie is that Archie Andrews, as a character, catches a lot of flak, not just from his friends, but from readers and viewers especially. Whether it’s his inability to choose between Betty and Veronica in classic stories or his almost complete cluelessnes/uselessness in Riverdale, there’s a lot to rag on the poor kid about. Why does he continue to endure and work as a lead character, then? Mark Waid and Audrey Mok pinpoint the reason in Archie 23: whatever his faults, Archie loves his friends with all his heart. Continue reading

Crisis Reveals Character in Jughead 16

by Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When things are at their most dire, it can be surprising who will step up. Crisis allows people to drop their posturing and bluster and actively work on a shared goal. In Jughead 16, Ian Flynn, Mark Waid and Derek Charm show a new side of Reggie Mantle by putting Jughead in crisis. Continue reading

Splitting the World into Pre and Post Tragedy in Archie 21

by Ryan Mogge

Archie 21

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When something awful happens, priorities immediately change. Trivial pursuits are rendered meaningless when real loss is pending. Memories can be categorized as “before” and “after.” In Archie 21, Mark Waid and Pete Woods build toward one such loss by showing several characters in their “before” mode. Continue reading

Jughead 15

Today, Ryan M. and Patrick are discussing Jughead 15, originally released May 17th, 2017. As always, this article contains SPOILERS.

Ryan M: If fiction is to be believed, magic is dangerous. If a character starts dabbling in magic, it is not long before a wise elder tells them to be careful, that there are consequences. Sure, a parlor trick is fun, but the power inherent in breaking natural laws can easily get out of control. Magic can consume your soul, inspire a sense of megalomania and, sometimes, make you a sidekick in your own comic series. When Sabrina casts a spell in Jughead 15, our title character is lost in the shuffle even as he inspires and amphitheater of admirers.

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Jughead 14

Today, Ryan D. and Taylor are discussing Jughead 14, originally released April 5th, 2017. As always, this article contains SPOILERS.

Ryan D: After five years of teaching high school, it became clear to me that I do not envy teenagers in this decade. Kids have an entirely new plane for making mistakes to which I was not privy in the early 2000s — one which revolves around the ubiquitous little pocket-computer everyone has now, coupled with unlimited internet access and an expectation to hold a social media presence. Technology is, in many ways, a blessing and provides opportunities beyond our dreams less than twenty years ago, back when the world-wide web pretty much just hosted cool websites like “HampsterDance,” but I can only imagine the trouble I would have gotten into if I were sixteen today. Jughead Jones finds himself in a predicament in issue fourteen, a very modern problem, and he just can’t seem to please everyone when the internet is involved.

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Jughead 12

Today, Ryan M. and Spencer are discussing Jughead 12, originally released January 11th, 2017. As always, this article contains SPOILERS.

Ryan M: Cliques get a bad rap. The term itself conjures groups of snotty teens keeping out the riffraff and wearing coordinated charm bracelets. But, really, a clique is just a group of friends with shared interests that hang out consistently. The chemistry of clique is essential. I can think of a few times that a friend group went through a few permutations before settling into a regular crew or times that I floated in and out of a group’s orbit without getting pulled in. Even when a friend group (see how concise and useful the word clique is?) is steady and cemented, you can still wonder why it hangs together at all. Ryan North explores the group dynamics of the Archie gang in Jughead 12 by focusing on the two characters least likely to get along: Jughead and Reggie. Continue reading

Afterlife With Archie 9

afterlife with archie 9

Today, Taylor and Ryan M. are discussing Afterlife With Archie 9, originally released May 25th, 2016.

Taylor: At the beginning of Afterlife With Archie, Reggie says, “everyone is the hero of their own life story.” This is an old saying that certainly has some truth to it; the world as any individual conceives it, necessarily revolves around themselves. This is a powerful idea and it speaks to the nature of how persuasive solipsistic thinking can be. However, after stating this, Reggie imagines himself saving the day by leading some horses back to the survivors of the Riverdale zombie outbreak. The message seems to be that not only are we the center of our own stories, but we are also always the good guy in our personal narrative. But Reggie doesn’t see himself as the good guy in his own life story, he sees himself as the bad guy.

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