Suzanne: Have you ever turned on Fox News or MSNBC and listened to the political pundits’ commentary? You’d hear them prescribe the cure for deep-seated political issues like the Israeli/Palestinian conflict in a five-minute sound bite. But can they really appreciate the complexity of these conflicts from an outside perspective? That’s not even considering the emotion, levels of tragedy and loss the people involved experience. In the last issue of Captain Marvel, Carol Danvers walked into an entrenched political situation wrapped into a public health crisis. The people of Torfa live on a poison planet; people are getting sick and dying and will continue to do so unless they leave. Yet Carol manages to check her assumptions (thanks to Madame Eleanides) and learn from the people of Torfa. And by learning I mean going to other planets and stealing from intergalactic pirates. Continue reading
Today, Patrick and Drew are discussing Hawkeye Annual 1, originally released July 24th, 2013.
Patrick: My favorite comedic bit in any issue of any comic I’ve ever read is conversation Clint Barton has with his buddy Grills about his superhero identity. “Hawkguy?” “Hawkeye.” It’s so endearing that most of us just call the character Hawkguy now and smile on the inside. So, when this issue sees a nervous Kate Bishop accidentally introduce herself as “Kate Hawkguy, Bishop,” it’s hard not to draw immediate comparisons to the very mentor she’s trying to distance herself from. Lucky for Kate (and for us), she’s only inherited his most charming character traits. Continue reading
Today, Drew and Spencer are discussing Hawkeye 12, originally released July 10th, 2013.
Drew: What is it that excites you most about a narrative? Or, what element of a story is so important to you that you might overlook other issues? Obviously, there’s a baseline for quality, but in a pinch, some of us might excuse weak plotting if the character work is good, or flat characters if the story is exciting enough. For me, that magic element is form. I’m willing to excuse wrote plotting or stiff characters as long as the story is told to me in a new way. Hawkeye has never suffered from either of those problems, but its recent discursive plotting and focus on seemingly every character except Clint has the potential to bore plot- and character-philes. Its form, on the other hand, has been absolute crackerjacks. Issue 8 kicked of a series of issues — each from a different perspective — that have revisited scenes time and again, each offering a different perspective on the events. It’s part Roshomon, part A/B plotting, creating a hybrid form that keeps each episode emotionally satisfying, all while weaving an incredibly dense chain of events. Hawkeye 12 adds Barney Barton to the mix, mining a great deal of pathos from the brothers’ childhood. Continue reading
Today, Ethan and Shelby are discussing Hawkeye 11, originally released June 26th, 2013.
Ethan: Heroes often have a fundamentally different way of perceiving the world than the rest of us – a unique challenge for the artists who have to bring them to life in comics. We’ve seen Iron Man’s in-suit view, cluttered with dozens of HUD displays showing vectors, power levels, and incoming angry phone calls. Spider-Man suffers an attack of Wavy-Line-Halo when he’s in danger. Daredevil’s world of radar-sense is one of the most foreign: wireframe surfaces instead of color, ripples of information spreading from source to receiver. In Hawkeye #11, artists Matt Hollingsworth and David Aja gives us our first close look at one of this title’s new heroes, along with his fascinatingly alien way of experiencing his surroundings. Lucky, the Pizza Dog, is pretty out of this world. Continue reading