Today, Taylor and Spencer are discussing All-New Hawkeye 5, originally released March 23rd, 2015.
Taylor: Growing up, we have total faith in our parents. Not only do they know everything, but most of the time they are viewed as paragons of virtue, morality, and justice. Basically, to the small child, parents are knowable because they represent the perfect person. As we get older, however, we learn that our parents aren’t always these things. This leads us to wonder what else we don’t know about mothers and fathers and ultimately, one day, we have the realization we don’t know exactly who they are because we no longer hold them in such high esteem. It’s a tough lesson to learn, made all the more so when you learn your parent might be a criminal. All-New Hawkeye 5 explores the issue of figuring out who parents are and in doing so also makes a statement finding your own identity. Continue reading →
Today, Taylor and Spencer are discussing All-New Hawkeye 5, originally released September 16th , 2015.
Taylor: Often times I wonder what my life would be like had I made an important choice, differently. When I try to make this abstract thought game more concrete, I think about the decision I made of where to go to college. My life would be incomparably changed if I had attended a different university. Different friends, maybe a different major, and most likely living in a different city for the past eight years of my life. Hawkeye 5 at first has us thinking big choices never affect the totality of our lives, but as events unfold, it becomes clear a single choice can affect your life greatly.
Today, Drew and Jack are discussing Hawkeye 22, originally released July 15th, 2015.
Drew: Endings are hard. Whether they break our hearts or leave us wanting more, even the most satisfying ending must face the bittersweet truth of being the end. “The End” takes on a peculiar meaning in the world of month-to-month comics (especially where the next volume may already be a fewissues in), but whatever we’re saying goodbye to — whether its a paradigm or a creative team — can still have an almost hallowed air of significance. This makes talking about comic book endings in a issue-by-issue format particularly difficult, as its tempting to use the final issue as a platform for talking about the series as a whole. I absolutely want to talk about Matt Fraction’s Hawkeye run as a whole, but I want to first give issue 22 its due respect as perhaps the perfect distillation of what made his run so remarkable. Continue reading →
Today, Spencer and Taylor are discussing All-New Hawkeye 3, originally released May 27th, 2015.
Spencer: Matt Fraction’s run on Hawkeye got a lot of mileage out of a deceptively simple mission statement: “Clint Barton, a.k.a. Hawkeye, became the greatest sharpshooter known to man. He then joined the Avengers. This is what he does when he’s not being an Avenger.” What Clint does when not being an Avenger is an insanely broad concept, but in Fraction’s run it quickly narrowed into a focus on how Clint handled loss. When tasked with the duty of following up on a run as iconic as Fraction’s, it’s no surprise that Jeff Lemire flipped everything on its head, changing the mission statement to “This is what [Clint Barton and Kate Bishop] do when they do what they do best.” Lemire’s concept of focusing on Clint as a super-hero is even broader than Fraction’s, and as I’ve pored over the last few issues of All-New Hawkeye, I’ve been waiting for his story to similarly build some kind of deeper overarching theme. This month’s issue in particular is almost screaming that it has some sort of deeper meaning or underlying message, yet I’m struggling to come up with one. I’m starting to think that I’ve been approaching this title all wrong. If this is a book about what Clint and Kate do when they do what they do best, then maybe what’s most important are the actual details of what they’re doing. Fortunately, those details are pretty charming. Continue reading →
Today, Drew and Spencer are discussing All-New Hawkeye 2, originally released April 8th, 2015.
Drew: I’m sure many folks have forgotten Cursed, the one-season NBC sitcom about a man cursed with bad luck in its pilot episode, but I’ll never forget it. Not because it was particularly good — I’ve actually forgotten almost everything about it — but because of its abrupt title change. Suddenly, Cursed, the high-concept sitcom about bad luck had become The Weber Show, a series so generic, its most distinctive characteristic was apparently the presence of former Wings star Steven Weber. That was my first lesson in the dangers of a narrative tying itself to a limiting premise, a problem I’ve found to be relatively ubiquitous in modern culture. All-New Hawkeye is far from the disaster that Cursed was, but as issue 2 strains against the flashback structure that worked so beautifully in issue 1, I find myself wondering if that structure is more of a prison than a springboard. Continue reading →
Today, Spencer and Taylor are discussing All-New Hawkeye 1, originally released March 4th, 2015.
Spencer: It’s hard to escape the fact that our pasts, and especially our childhoods, play a defining role in our lives. That doesn’t mean that people can’t recover from troubled pasts, but simply that what we experience when we’re young tends to shape our personalities and color our perceptions of the world in significant ways. This is certainly true for Clint Barton, one of the two titular stars of Jeff Lemire, Ramón Pérez and Ian Herring’s All-New Hawkeye 1. Clint’s transformed from a troubled, abused child and thief to one of the world’s mightiest heroes, but there are still plenty of parallels between his past and his present, showing that, as much as things change, they still stay the same. Continue reading →
Today, Drew and Spencer are discussing Hawkeye 21, originally released February 4th, 2015.
I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description; and perhaps I could never succeed in intelligibly doing so. But I know it when I see it…
Justice Potter Stewart
Drew: I’ve never been a fan of classifications in art. I could go on at length about how sub-subgenres eventually become too specific to have any utility, while broader classifications face the opposite problem of being to general, but my real issue is that our definitions fall apart under scrutiny. We tend to accept the kind of “I know it when I see it” definition of basically every category we have, from gender to genre, but most working definitions have to allow for so many exceptions that they lose all meaning. Take “superhero” for example. We all have a lose idea of who a superhero is, what they do, how they act, but to try and pin down the definition reveals that none of those things are fixed. Are they heroic (courageous, noble, selfless)? Many are, sure, but there are plenty of antiheroes muddying up any moral definition. What about superpowers? Again, lots do, but with so many non-powered superheroes, it’s hardly a criteria. The closest I can come up with is based on our relationship to superheroes — namely, that we expect their actions to lead to their success. In that way, I’d like to posit Clint Barton — particularly as depicted in Matt Fraction and David Aja’s Hawkeye — as an antisuperhero. Continue reading →
Today, Spencer and Jack are discussing Hawkeye 19, originally released July 30th, 2014.
Spencer: My best friend is an artist, and he constantly complains that I read my comics too fast, that I don’t pay enough attention to the art. I’ll admit it, he has a point; I’m so eager to read the story that I often devour my comics, and miss things in the art I don’t catch until my second or third time through a book. There was no way I could do that with Matt Fraction and David Aja’s Hawkeye 19, though. This issue demands that you slow down and pay attention to every detail. It’s a challenging read in many ways, but it’s a challenge that’s absolutely worth attempting. Continue reading →
Today, Spencer and Patrick are discussing Hawkeye 17, originally released March 12th, 2014.
Spencer: Hawkeye is consistently one of the most daring comic books on the shelf. That doesn’t necessarily mean it’s always making the biggest, most shocking moves, but it does mean that anything’s fair game when it comes to this book. An issue told from the point of view of the dog? Sure! Killing off a beloved supporting character then spending months and months revisiting the event from everyconceivableangle? Why not?! Separating the main characters then dividing up the narrative between them? Seems do-able! Matt Fraction doesn’t shy away from taking risks with Hawkeye, no matter how strange or mundane, and Hawkeye 17 is one of the strangest of all. Fortunately, it’s charming as all get out. Maybe that’s the true legacy of Hawkeye: the risks always pay off. Continue reading →
Today, Spencer and Drew are discussing Hawkeye 15, originally released February 26th, 2014.
Spencer: Why do we love Clint Barton so much? I could probably devote my entire word count to the reasons, but the one that sticks in my head is that he’s heroic, but still endearingly flawed. Clint screws up a lot, but he’s always trying to do the right thing, no matter how badly he goes about it. Matt Fraction and David Aja’s Hawkeye 15 reveals that Clint’s attempts to save his building are less than legal and have only pushed the Tracksuits to more desperate measures. But despite it all, I can’t help but like the guy even more; his heart’s in the right place. Continue reading →