Becoming Part of the Adventure in You Are Deadpool 1

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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You Are Deadpool isn’t the first attempt to turn a comic book into a “Choose Your Own Adventure” story, but that doesn’t make it any less impressive. Not only is Deadpool — the irreverent, fourth-wall crashing, meta-joke of a character — a perfect choice to star in this kind of story, but creators Al Ewing and Salva Espin find inventive, intuitive ways to not only put readers into Deadpool’s shoes, but to make their choices, skills, and even luck truly have an effect on their adventure. Continue reading

Bridging the Gap Between the Old and the New in Star Wars 43

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I’ve always considered Marvel’s Star Wars comic to be an extension of the Original Trilogy — a way to continue telling stories with the characters and within the framework that most fans are familiar with — but Kieron Gillen and Salvador Larroca’s Star Wars 43 surprises by also acting as a satisfying coda to 2016’s Rogue One. From closing the book (for now) on Jedha to calling back to Princess Leia’s final line in the film, Star Wars 43 neatly bridges the gap between “old” Star Wars and “new” Star Wars in way that fulfills the promise of post-George Lucas single canon Star Wars cross-media world-building.

And as sterile and filled with corporate buzzwords as that all sounds, it’s effective when it works.

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Luke’s in Hell in Star Wars 41

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Like pus from an open sore, a dangerous energy seeps into the universe in Kieron Gillen and Salvador Larroca’s Star Wars 41, escaping from the remains of the Jedi temple on Jedha. Luke has come to Jedha and the Cult of the Central Isopter looking for guidance in mastering the Force. Larroca and colorist GURU-eFX paint an evocative portrait of a planet in torment — Luke’s in Hell, basically, but that’s the point.

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Deadpool 24

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Today, Spencer and Patrick are discussing Deadpool 24, originally released January 11th, 2017. As always, this article contains SPOILERS.

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Spencer: What lengths would you go to to save your family? What sacrifices and compromises would you be willing to make? That’s a question we quite often ask of our heroes (comic book or otherwise), but that question usually implies that a character has some sort of ethics, values, or morals they’d have to struggle about breaking or abandoning in the first place. Deadpool doesn’t really have any of those things, though; what he has to give up to save his family is something far different, but just as important to him. Continue reading

Deadpool 21

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Today, Taylor and Patrick are discussing Deadpool 21, originally released October 26th, 2016. As always, this article contains SPOILERS.

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Taylor: The Music Box Theater in Chicago has an ongoing series of film showings called “Is It Still Funny?” The premise of the event is that viewers go and watch an older comedy film and then listen to a discussion that begs the questions “is this film even funny anymore?” It’s an interesting idea and I think it works because unlike other genres, comedy tends to not age well. There’s a slew of reasons for that and here is not really the place to get into it, but the question is interesting when applied to a character like Deadpool. At what point do all of his antics fail to amuse and humor? More importantly, at what point do they begin to put innocent lives in danger?

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