Star Wars: Poe Dameron 26: Discussion

by Michael DeLaney and Mark Mitchell

This article containers SPOILERS. If you have not read the issue yet, proceed at your own risk!

Michael: Marvel’s Star Wars line of comics were launched on the idea that what happens between the movies behind the scenes are stories worth telling. Surprisingly, many of these stories have been deep, creative chapters in the lives of the characters we know and love, building upon their respective character philosophies. Not every aspect of these characters’ lives shares that amount of depth or insight, however. We spend a lot of our lives sitting around, not doing anything consequential. Unfortunately, the same is true for the heroes of Star Wars: Poe Dameron 26. Continue reading

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Sacrifice and the Long Fight in Darth Vader 14

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Given how pervasive politics are in our current landscape, it’s no surprise that so much of the media being created nowadays contains political allusions and allegories. Both the allusions and especially the politics themselves can be exhausting at times, but given how dangerous so many political groups are today, getting involved and taking a stand seems absolutely necessary, no matter what the cost. That’s certainly the theme that runs throughout Charles Soule and Giuseppe Camuncoli’s Darth Vader 14, a clear allegory for our fraught modern political times that argues that great sacrifices must be made to fight oppression wherever it rears its face. Continue reading

The Deadpoolian Doctor of Star Wars: Doctor Aphra 18

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The relevance of the antihero has risen and fallen numerous times over the past couple of decades. With the mainstream introduction of Deadpool, we have a new mold that mashes antihero with that of lovable scoundrel. Since her arrival, Doctor Aphra has been more of the lovable scoundrel type, but with Star Wars Doctor Aphra 18, Kieron Gillen, Simon Spurrier, and Emilio Laiso lead her into Deadpool territory. Continue reading

The Philosophy of The Last Jedi in Star Wars: Poe Dameron 25

By Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Up to this point, Lor San Tekka has basically been a human McGuffin. When Poe & Co. finally retrieve the old man in Poe Dameron 25 however, he doesn’t yet know where Luke Skywalker is. You can’t blame that on Charles Soule, the guy’s gotta line stuff up for The Force Awakens. Interestingly, the movie that Soule pulls from the most is The Last Jedi. Continue reading

Star Wars 45: Discussion

By Taylor Anderson and Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Taylor: Being a Star Wars fan who grew up with, and only with, the original trilogy, I would consider myself fairly protective of the movies which have spawned a pop-culture empire. This being the case, you might expect that I would hold the new movies to a high standard of excellence since I wouldn’t want their history besmirched. It turns out that the opposite is true. I’ve come to accept that nothing’s going to replicate my love of the original trilogy and that’s OK. That being said, as long as a Star Wars story is decent, I’m pretty happy just to get to spend more time in a galaxy far, far away. Sadly, this can’t be said for all Star Wars stories, which is the case in Star Wars 45.

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Characters Revise Their Own Histories in Darth Vader 13

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When Star Wars comics relaunched under Marvel in 2015, Kieron Gillen and Salvador Larroca’s Darth Vader was far and away the best title. Charles Soule and Giuseppe Camuncoli have continued that tradition with their latest incarnation of the book. Darth Vader 13 is the latest example of how the comics can flesh out characters and concepts in a way that the movies never really did. Continue reading

Tomorrow May Be Too Late in Star Wars 44

by Michael DeLaney 

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.

“There’s no time to lose!” is a line you’ve probably heard in more movies than you can count. I can’t recall a situation in recent memory that applies this idea better than Star Wars 44.

The Rebels are as desperate as ever so they enlist everyone’s favorite trap enthusiast Admiral Ackbar to negotiate a new alliance with his people, the Mon Calamari. An Imperial garrison interrupts the secret meeting, but Leia refuses to let mortal danger postpone this very important rendezvous. Continue reading

Vader’s Uncertainty Threatens All — Including Himself — in Star Wars: Darth Vader 12

by Spencer Irwin

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

Why is Darth Vader scary? It’s not necessarily because he’s so powerful, or because he’s so evil, although he’s obviously both. It’s because he’s unknowable, robotic, relentless, opaque. His mask betrays no expression, his words and actions only rarely betray emotion, and his motives often seem inscrutable. That kind of ambiguity begets strong reactions from almost everyone who sees Vader, be it outright fear or the kind of resentment festering in the Imperial Officers who place a hit on him in Star Wars: Darth Vader 12, not realizing what he’s done to gain his authority. In many ways, Vader’s unknowability is his greatest strength (only those who truly know Vader — such as Luke or even Jocasta Nu — ever manage to defeat or one-up him), but it also might be his greatest weakness, because as Charles Soule and Giuseppe Camuncoli suggest, even Vader doesn’t seem to fully understand himself, and his frustration over that is tearing him apart inside. Continue reading

The Hunter Becomes The Hunted In Star Wars: Darth Vader 11

by Mark Mitchell

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

In the modern Star Wars era, Darth Vader is like the Freddy Krueger of the greater universe — ostensibly a villain, but really the one everyone is rooting for. Charles Soule and Giuseppe Camuncoli’s Darth Vader 11 leans into Vader’s anti-hero persona by reversing the usual Vader story and turning him into the prey.

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Star Wars: Poe Dameron 24: Discussion

by Taylor Anderson and Patrick Ehlers 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Taylor: Star Wars fans of a certain age remember a time when new Star Wars movies weren’t something to be expected like the changing of the seasons. For these fans, the original trilogy was sacred canon, spawning innumerable subtexts which, because there were no movies to look forward to, were anticipated greatly. In particular, the X-Wing series stands out as being a fun permutation of the early Star Wars novels because it supplied fans with the flair of space battles and the familiarity of well-loved, if obscure, characters like Wedge Antilles. More than anything, though, these novels were fun because they were a journey into the unknown where anything could happen. That’s not the case with Poe Dameron, since we all know how the comic ends. The limitations this places on the series is apparent, and no more so than in issue 24. Continue reading