This article containsSPOILERS. If you haven’t read the issue yet, proceed at your own risk!
“All that people care about is the look. There’s figures on this: 70% of what people react to is the look, 20% is how you sound, and only 10% is what you say.”
-Eddie Izzard, Dressed to Kill
Here’s something that’s true about comics: it’s a medium full of speaking characters that we will never actually hear speaking. By Izzard’s math, that means there’s a full fifth of a character’s essence we’re never really going to get through images and words on the page. As Deadpool pulls out all the stops to finally achieve suicide-by-mercenary, so too does the creative team pull out all the stops to express the height of his desperation. All the usual gears are spinning perfectly: Gerry Duggan’s writing is as simultaneously tight and chaotic as ever, and Mike Hawthorne’s impeccable layouts convey an almost grueling understanding of the setting of this issue-long brawl. But I want to focus on that elusive final 20% — “how you sound” — with Joe Sabino’s excellent lettering in this issue. Continue reading →
Today, Taylor and Drew are discussing Marvel Zombies 1, originally released June 10th, 2015. This issue is a Secret Wars tie-in. For our conversations on the rest of Secret Wars last week, click here.
Taylor: Whenever the subject of bleak and/or depressing stories comes up, I’m quick to point out that Cormac McCarthy’s The Road is perhaps the paragon of the genre. The book follows a man and his boy in an apocalyptic landscape as they struggle to survive in a world devoid of almost all life. While the narrative itself is heavy, what makes the book truly depressing for me is that it deals with the question of why try to survive at all. The book asks the uncomfortable question: if life is nothing but a struggle, why continue living it? Similarly, Marvel Zombies 1 has me considering these same questions. However, unlike the The Road, Marvel Zombies does spare some room for hope among the horror. Continue reading →