This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
X marks the spot.
treasure map, traditional
Patrick: How do you know where to look? I’m asking a holistic question here. When you’re walking down the street, what draws your eye? When you’re deciding what to do next with your life, how do you decide what people and what activities are of value to you? Maybe we’re following signs, or bright lights, or that warm feeling of belonging. It’s something. Hawkeye 16 shows both Kate and Eden coming to terms with what they’ve been looking for, all while Kelly Thompson and Leonardo Romero expertly show the reader where to look. Continue reading →
Today, Patrick and Drew discussing Elektra 7, originally released on October 29th, 2014.
Patrick: Though my love for Green Lantern has dulled some over the years, the central concept behind the character is infinitely compelling to me. All the Green Lanterns use their power rings to will physical objects into existence. Sometimes these constructs are simple blasts of energy, sometimes they’re giant hammers, sometimes they’re cages or slings or flyswatters. Whatever it is, the thing only exists because a human being (…or some kind of alien…) willed it into existence. I find this idea fascinating — all it takes to achieve the impossible is to have the resolve to declare it possible. Realistically, I know that’s not all there is to it: achieving just about anything also takes time and hard work and practice and failure and money — but that all falls as a result of one’s will. Superheroes are a willful lot, but none more defiantly so than Elektra, and issue 7 demonstrates that that’s been her most valuable superpower all along.
Today, Mikyzptlk and Patrick are discussing Daredevil 27, originally released June 26th, 2013.
Mikyzptlk: I’ll just come right out and say it, the conclusion to Age of Ultron was a huge disappointment to me. It felt less like a conclusion, and more like a setup to a bunch of other books that I may not even be interested in reading. I’m not saying I won’t be reading any of them necessarily, but it’s a pretty annoying to see a story “end” by telling me I have to read all of these other books to learn about any potential consequences of the story I’ve been reading for 10 issues. So, what the hell does this have to do with Daredevil you ask? Well, I get that comics, by nature, are supposed to get you to come back month after month. The thing is, there’s a right way and a wrong way to do that. And, with the conclusion of the latest Daredevil arc, Mark Waid proves he knows how to do it right. Continue reading →
Today, Patrick and Drew are discussing Daredevil 26, originally released May 22nd, 2013.
Patrick: Did you guys see Mad Men last week — “The Crash?” It was a purposefully incoherent mess, all revolving around Don Draper’s drugged-out experience of a long weekend at work. This has come to be something of a Mad Men staple — there’s one just about every year that tests the bounds of what is and is not happening (last season’s “Far Away Places,” season 3’s “The Fog” are both good examples). They’re meandering looks at the characters and their values through the lens of whatever drug they happen to be on, and as such they’re fascinating pieces of television, if difficult to invest in emotionally. “The Crash” sidestepped this problem with a character named Grandma Ida. Grandma Ida is an older black woman who breaks into a bunch of apartments in Don’s building, including his own. Don and Megan are both out for the night, so the kids (Sally, Bobby and Gene) are left to confront the intruder alone. Per her moniker, Grandma Ida claims to be Sally’s grandmother — something Sally knows to be impossible because, well, Sally’s not black. But the charade goes on just a little bit too long and suddenly the invasion feels deeply personal. Sally’s trust — no matter how temporary or misplaced it may be — is violated. And that’s much more horrifying than a simple home robbery: the thought that any time you let someone in, you’re inviting betrayal and danger. Issue 26 of Daredevil hits that same button repeatedly until Matt Murdock and the reader are completely unwound. It’s a heart-in-your-throat masterpiece that finally puts the nickname “The Man Without Fear” to the test. Continue reading →