Aesthetic Takes Center Stage in Curse Words 14

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s an intangible quality to most of your favorite art that belongs solely to that work. Maybe it’s a voice, or a take, or a perspective, or a rhythm. It’s that magical X factor that makes you say “that’s a Farside joke” or “that’s a Stevie Wonder horn line.” Curse Words’ DNA is so hard to nail down — a mix of crass irreverence and hopelessness, with a jolly veneer that just barely hides some genuine darkness. Issue 14 drifts away from Wizord and lets this lurching aesthetic take center stage. Continue reading

Curse Words Holiday Special 1: Discussion

by Patrick Ehlers and Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“No hugging, no learning.”

-Larry David

Patrick: It’s maybe not fair to say that Seinfeld was a show about nothing. The show was about cynicism, it was about flawed people trapped in their familiar patterns, it was about manners and modern etiquette. But it was mostly a vehicle for observational jokes about the weird ways human beings behave. So while there are virtually no sincere lessons learned in the whole series, the show illustrates an awful lot about human nature. The only way it ever drills down into that fundamental human truth is by straying aggressively true to itself — no hugging, no learning. The same is true of Charles Soule and Ryan Browne’s Curse Words, which gets to the heart of a nearly impenetrable relationship by being just as gross, just as crazy, and just as heartless as it possibly can be in Curse Words Holiday Special 1. Continue reading

A Surprise Backstory Reveals the Depth of Curse Words 10

by Drew Baumgartner

Curse Words 10

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

What is Curse Words to you? As a series that wears its sense of humor on its sleeve, it’s easy to pigeonhole it as an irreverent romp, complete with magical beards and a talking animal sidekick. “Pigeonhole” makes it sound like a negative, so I want to make it clear that 1) goofy, fun stories are worthy of our collective attention, and 2) Curse Words worked beautifully as a goofy, fun story. But I suppose we always knew there was something lurking beneath that slick facade, whether it was some piece of Wizord’s backstory or the suspicious nature of his new magic-stealing powers. With this issue, Charles Soule and Ryan Browne take that several steps further, establishing some devastating emotional stakes that are so surprising, they can’t help but force us to question everything about this series. Continue reading