Daredevil 12

daredevil-12

Today, Spencer and Michael are discussing Daredevil 12, originally released October 12th, 2016. As always, this article contains SPOILERS.

Spencer: What is art? I suppose if I had to answer that question, I’d say that art is something one creates that’s intended to elicit some sort of emotional reaction, but even that incredibly broad statement doesn’t cover the full spectrum of what art is, or isn’t, what it can or can’t do. What truly is or isn’t art is subjective, yet the debate rages on; in a way, it even defines the conflict between Daredevil and his new villain, Muse. Muse just wants Daredevil to like his work, while, of course, Matt doesn’t because his work is murder. Can murder be art? Muse certainly seems to think so, and in his mind, that justifies everything he does. Continue reading

Daredevil 4

daredevil 4

Today, Ryan D. and Spencer are discussing Daredevil 4, originally released February 24th, 2016.

Ryan D.: Sometimes, as a lover of comics, I feel like I need to make even my objective voice take a step back. A friend asked who my favorite superhero is. I answered with Daredevil. I love DD for the fact that he is very mortal in a multiverse of gods and supermen. His human story of a boy who grew up blind and parentless while still having the temerity to finish law school and start his own practice is just as compelling as his mask. I related to the Irish-Catholic-American guilt with which the character often struggles, and I love that, unlike many characters who guard the earth from cosmic threats such as Galactus, Daredevil just wants to keep his neighborhood safe. The noir-rich Brubaker and Bendis runs on the series opened my eyes to places I did not know superheroes could go, and the Mark Waid return to the swashbuckler proved to be a delight.

But we have a “new and improved” Daredevil now, one who has One More Day‘d away his previously very public identity, who now sits on the side of prosecution instead of defense and even totes a sidekick. Taking my step back and knowing that this run has no intentions of being the DD of yore, I have been interested in seeing when the character, plot, and art might all fall into their respective, complimentary rhythms, and I am unsure as to whether issue number four takes any steps forward or backward in this regard. Continue reading

Commentary Track – Charles Soule Discusses Daredevil 1

commentary daredevil 1

Charles Soule was a virtual unknown when he started on Swamp Thing in 2013. Since then, he’s written some of comics biggest characters, from Superman and Wonder Woman to Deadpool and Wolverine. December saw him tackle the man without fear with the launch of a new volume of Daredevil. Drew sat down with Soule to go through issue 1 page by page, so get your copy handy and join us on the Commentary Track. Continue reading

Daredevil 1

Alternating Currents: Daredevil 1, Drew and Patrick

Today, Drew and Patrick are discussing Daredevil 1, originally released December 2nd, 2015.

You might know me as Matt Murdock, defence attorney, here to help. That guy’s gone.

Matt Murdock, Daredevil 1

Drew: We’re living in the age of the comics auteur. We may not have yet settled exactly who the auteur is in a work that is written, drawn, colored, lettered, and edited by five (or more) different people, but so long as they work together in largely uninterrupted runs, we don’t really need to. That is to say, we may not be able to assign auteurship to one individual on, say, Mark Waid and Chris Samnee’s run on Daredevil, but we can appreciate that they brought a distinct set of sensibilities to the character that are unique to their collaboration. On the whole, I think this is a good thing — it allows creators to play to their own strengths and follow their own interests — but it makes the prospect of following a beloved run particularly daunting. What works for one creative team might not work for another, which means that anything from costumes and character designs to theme and overall tone might be subject to change. Indeed, with the freedom (and perhaps pressure) for each team to bring their own take on the character, those changes are unavoidable. Daredevil 1 features plenty of changes from its previous volume, but writer Charles Soule and artist Ron Garney quickly set about showing why those changes are going to work. Continue reading

Deadpool Annual 2

Alternating Currents: Deadpool Annual 2, Drew and PatrickToday, Drew and Patrick are discussing Deadpool Annual 2, originally released May 21st, 2014

Drew: Humor — and especially jokes — are defined by our expectations. A set-up literally sets up a framework that the punchline carefully subverts. “Orange you glad I didn’t say banana?” only makes sense if there was ever an expectation that the joke-teller was going to say “banana”. The point is, those expectations are absolutely crucial to the success of a joke, which makes a jokey comic book character like Deadpool a bit of an anomaly. He exists in a world filled with superpowered mutants, aliens, robots, and gods — it’s hard to have a concrete set of expectations when anything is possible, anyway. So, how do you keep Deadpool from disappearing up his own butt? With the Deadpool Annual 2, writer Christopher Hastings chooses to mine the expectations we have for Spider-Man, resulting in a substantive deconstruction of Spidey, but revealing little about Wade himself.

Continue reading