Today, Patrick and Michael are discussing Secret Empire 1, originally released May 3rd, 2017. As always, this article contains SPOILERS.
Patrick: Skipping ahead into the radically altered future has become one of the hallmarks of modern Marvel event stories. Both Secret Wars and Age of Ultron rushed ahead to the moment after the unthinkable had already occurred, resting in a status quo that practically begged to be undone. Secret Empire, in its #1 issue, adopts this same tactic, catapulting over an untold stretch of time and insisting on a terrifying new normal. The difference between this story and events like Secret Wars and Age of Ultron, is that Secret Empire is based in the entirely credible rise of fascism in the United States. There is real world precedent for the world over which Captain Hydra rules, and even if it is exaggerated for the medium, and the long road to this moment is paved with recognizable warning signs. But writer Nick Spencer is no longer concerned with establishing the mechanical reality of Steve Roger’s brave new world, instead turning to the emotional reality of its occupants, dialing in on how it feels to be truly helpless and hopeless. And how it feels to resist.Continue reading →
Today, Spencer and Patrick are discussing Secret Empire 0, originally released April 19th, 2017. As always, this article contains SPOILERS.
Spencer: It can be incredibly dangerous to put too much faith in one person, especially if it means neglecting other connections and relationships. While this can be true on a personal level, it’s far more important to remember on a political level, where not even the most well-meaning politician can be trusted with too much power — not even Captain America himself. Continue reading →
Today, Ryan M. and Drew are discussing Steve Rogers: Captain America 12, originally released February 22nd, 2017. As always, this article contains SPOILERS.
Ryan M: Empathy and understanding can only be built by listening. That’s why representation is so important. Reinforcing norms of exclusion only bolster the narrative of inequality. An outsider telling your story, however well-meaning, influences the message. The speed and breadth of modern media only add more veils between the truth and the version people hear. In Captain America: Sam Wilson 21, Sam wrests back control of his own story.
Today, Ryan and Patrick are discussing Captain America: Steve Rogers 14, originally released March 22th, 2016. As always, this article contains SPOILERS.
Ryan: Sometimes, if a character is too interesting or too dynamic, they can take over a narrative. I call it the Dawson’s Creek conundrum, since that was a show that was hypothetically built around (and named after) the least engaging character. It’s not always a problem. It can be fun to have a character enter the story, take over for a bit and then step out, as long as the story knows that it’s happening. In Captain America: Steve Rogers 14, writer Nick Spencer and artist Jesus Saiz have a character taking over, but don’t cede the entire book to her. Continue reading →
Today, Drew and Spencer are discussing Steve Rogers: Captain America 12, originally released February 22nd, 2017. As always, this article contains SPOILERS.
Drew: To say that Captain America: Steve Rogers 1 rocked the comics world would be a profound understatement. It caused an uproar unlike any I’ve seen in my time writing on comics, and it continues to be a point of controversy nine months later. It set the tone for a Captain America story unlike any we’ve seen before, built upon one huge, jaw-dropping twist. The downside of kicking off a series with a twist that large is that it’s hard to match. Writer Nick Spencer has struggled admirably in this regard — and may have actually topped himself in Civil War II: The Oath — but a twist that required the rewriting of reality as we know it is a nigh-unreachable bar. Case in point: this issue’s return of Elisa Sinclair. Continue reading →
Today, Spencer and Drew are discussing Civil War II: The Oath 1, originally released January 25th, 2017. As always, this article contains SPOILERS.
Spencer: Why is Steve Rogers being transformed into a Nazi such a terrifying idea? It’s because we all trust Steve Rogers, both in universe and out. Not only can he use that to gain influence that should never, under any circumstances, be given a Nazi, but that trust means that we’re probably inclined to think the best of him — out of sheer habit, if nothing else — even though he’s never deserved it less. Well, no more. Civil War II: The Oath drives home that this altered Steve’s heart is as black as they come. If only the rest of the Marvel universe was privy to that fact as well. Continue reading →
Today, Spencer and Ryan M. are discussing Avengers 1.1, originally released November 9th, 2016. As always, this article contains SPOILERS.
Spencer: Take 2014’s Amazing Spider-Man 1.1-1.6 (which told a previously untold story set in Peter Parker’s first few months as a hero) and mix it together with Mark Waid and Barry Kitson’s JLA Year One (which retold the Justice League’s post-Crisis origin in a modern setting) and you’ll get something resembling The Avengers 1.1. Waid and Kitson take their trademark stylistic combination of classic storytelling set in the modern day (which Waid has also been employing in his modern-day Avengers stories) and use it to tell an “untold” tale of the Avengers’ past. If you have any experience with the aforementioned stories or creative teams, then the result is probably exactly what you were expecting. Continue reading →
Today, Spencer and Michael are discussing Steve Rogers Captain America 6, originally released October 26th, 2016. As always, this article contains SPOILERS.
Spencer: Civil War II has killed the momentum of a lot of books, but its Steve Rogers Captain America tie-ins are an especially interesting case of this because the title never really had a chance to establish its momentum in the first place — writer Nick Spencer was still in expository mode, exploring how Steve’s new Hydra backstory changed him, when the title was dragged into a major event. Thankfully, Spencer and artist Javier Pina have been able to continue that exploration even throughout these event issues, but the moments tying directly into Civil War II feel unmoored in comparison. Continue reading →
Today, Spencer and Michael are discussing Sam Wilson: Captain America 10, originally released June 22nd, 2016.
Spencer: People have certain aspects of themselves that bind them together into larger groups. Some of those qualities we choose for ourselves — our hobbies, religion, who we marry — but others we have no choice in. Our family, race and nationality, and sexuality bind us to like individuals. That doesn’t mean every member of, say, the same religion or race are alike, nor that they’re all friends, nor that they’ll even agree on anything. What it does mean is that they’ve all got one thing in common that no other group understands, and that makes them part of a community. In Sam Wilson: Captain America 10, writer Nick Spencer explores Sam Wilson and James Rhodes’ community, mining unexpected riches from the concept.
Today, Patrick and Spencer are discussing Steve Rogers Captain America 1, originally released May 25, 2016.
Patrick: The most troubling thing about any inspirational figure is that they are necessarily mutable. Human beings are never only one thing, but we often reduce them to a single trait or value so that we may incorporate that into our own view of the world. John Lennon believed in peace, Martin Luther King Jr. believed in equality, Steve Jobs believed in innovation. Those are all trite reductions of fantastically complicated people, but it is useful to have avatars of these qualities and principals. Nick Spencer and Jesus Saiz’ Steve Rogers Captain America 1 sets out to complicate one of the most inspirational figures in comics — which I feel is a necessary exploration of the Greatest Generation — but the issue is almost more interested in the concepts of inspiration and legacy than the specific twist deployed on the final splash page. Continue reading →